Hooked (erotivc memoir - edit 1)

Hooked

Mark hasn’t responded to my latest phone message. A woman comes on the phone, oh honey, oh, oh, heavy breathing, and the schmuck hasn’t the decency to send a thank you. He has five hundred of my emails, a damn book if he wants, and a video, and I’m pissing in my pants about the video because of Garth and his pornographic Internet wanderings. Men fall in love with me over my words. Lenny thinks they’d love me for my art as well. He is the only man with my art CD. He’ll fall for me if he stares too hard at my work, he can see my soul in those pictures, he says. Go right ahead, I tell him.

Lenny offers me a birthday present to visit him whether we fuck or not. I’m not used to such nice men. Instead I spread my legs; “There’s love in these here parts, baby.” The weeds behind my eyes grow wilder day by day. I’m renting a condo with a southeastern view of electrical towers beside theYonge-Finch subway line. Just beyond the towers, a plot of grass remains untouched, except for summer gardeners who plant vegetables and fruits in clear rows. The land looks like a cemetery even though there are leaves growing and weeds running out of control.

Everything is for the book: the first time Garth told me to take a shower and then shaved me so he could ass-lick me; how I lay on my stomach, pressing my cunt into the mattress, coming right there and then, and how that pleased me. Garth is a fastidious shaver. He takes his sweet time and he doesn’t say anything. His breathing doesn’t waver. He just dips the razor into warm water, wipes with another warm towel and surveys his work. Sometimes he tells me to lift my legs or turn over or go on all fours. And then he fucks me. His emotions are so bare, I lose sight of myself. I can’t even tell whether I’m hot or wet and to what degree.

My life has been turned inside out with all the writing. I could deal with Lenny’s fucking other chicks, I just need to be his main squeeze. I miss my painting and my paints, the hues of greens, blues, and purples, also reds, my irredescents, and my gentle life. I’m hooked and high on the book.

One clear suburban night outside Tim Hortons, two separate men roll down their car windows and offer me cash. “I was wearing my man’s leather coat, jeans, and my blundstones for god’s sake! Right next to the condo, can you believe it?” I tell Garth. Even watered down Willowdale debauchery allures me. I get drunk on the chattering of the keyboard although Garth advices me to leave debauchery for the next book.

I’m hooked. Lenny, Mark, Edward, Robbie, Louis, Will, the other Edward, Errol, Bruce, Robert, Michael, Garth —one deep full-bodied breath and I’m off and running, seeking out that point where life stops, just around the bend, I think, but when I reach the corner, life leers and moves to another block, another corner. You can’t direct life like steering a cock to a pussy. So I keep walking. The only time I feel fully embraced in the arms of happy moment, when I’m really cooking and thankful, is when I’m working on the book, writing to one of my men or lying with him. Visiting my eighty-three year old mother, I pace, sneak alcohol from the lower pantry shelf, peer in cupboards, and make notes on her medication for Garth who will tell me “oh, this is for that and I’d say give her six months, a year tops.” I’m homesick for my computer keys and I miss smoking up. My glasses remain in their silver Hakim Optical case. One early morning I tiptoe into the living room to inhale my father’s meticulously selected books and Zadi’s old treasures stamped “Pro Libris Samuel Lapitsky.” My god, all these books. I wonder whether my deceased relatives captured in these shiny frames are witnessing me taking stock.

I search for my father in Irving Stone, Durrell, Sinclair Lewis, in titles like “Main Street,” “The Mandarins,” and “Ulysses” books transported from the floor-to-ceiling bookshelves in the house on Wilder Avenue since renamed after some French-Canadian woman, Antonine Maillet, about whom I have wondered, but never looked up—and why not? I mean it’s odd, my following a homeless question for decades when a single trip to a local library would have saved it from the streets and inclement weather.

“Portrait of the Artist . . .”—sitting at Garth’s black desk one night, Caroline asleep in her sunroom cot, I told Lisa I was writing to an ex-con with a penchant for James Joyce. “It’s tough reading,” my poet daughter said. “He tries to go into the unconscious of characters in Dublin, as they might think or say in their tongue and with their history. I’m not advising against it, but it’s challenging.” “Which is not a bad thing, I’m always up to a challenge,” I’d said. I’m a pro at bravado. I can round up the players—brain, heart, and clit—at a moment’s notice. Dressed or naked, it’s all about energy, and every time, they fall for it, the men-boys, applauding wildly and pressing past security.

I sit on the shoreline, my memory at high tide—stepping on the wood, red, and silver metal step ladder to hoist “A Rage to Live” off the uppermost Wilder Avenue bookshelf, the book cover deep burgundy, romantic paragraphs read and reread. DH’s “Women in Love,” “Lady Chatterly.” Can my father hear me? If he hears and sees, what does he see? When? Always? At intervals? What does a spirit do for eternity? And how does one remain occupied when time never starts or stops?

A wood elephant, its grainy texture smooth but still apparent, trunk raised, tusks intact, draws me to the middle shelf. I am hoping the tusks aren’t real. On the shelf above, a black and white photo of Mummy nineteen-forty’s beautiful, and Daddy, his expression all soft and mellow. He was not like that, not an easy man. My parents’ McGill days, Daddy lighthearted and animated. And old photos, a young girl in a dress with knickers peeking out from beneath the hem, a smooth-faced boy, his hair wet and parted, bare wrists exposed past the edges of his jacket sleeves.

I’ve come away with a good catch this time. Five of Daddy’s sports jackets, four ties, a a pair of his pajamas, white and blue striped, my sister’s ankle-length black coat, a plastic ribbed vial with “Elizabeth Arden Make-up Remover” in my mother’s scrawl, two long sleeve jerseys, red and olive green (Daddy’s), and four books instead of one. A hardcover with gilded edges signed, “For Your Reading Pleasure, With Love, Mummy.” We have a family custom: one souvenir book per visit. I choose Feuchtwanger’s “This is the Hour,” because a book on Goya with well-written words about his persona, art processes described, and accompanying reproductions might be an inspiring and impressive book to possess. I’m self-conscious about the scope and appearance of my library. I also copped “The Mandarins,” something by Alexander King—“I Should Have Kissed Her More” (recalling past reading pleasures, possibly romantic), and Franz Kaffa’s short story collection to activate my mind into an avant-garde sensibility.

My mother is growing old. One night after supper, sitting at the table while pouring over the TV guide as has become her post-meal custom and placing red ink stars beside shows she would recommend, she holds out her left leg. “See,” she says, all perked and chipper, “it gets swollen.” The calf and front leg are swollen and hard. There are raised purple and red circles on the flesh. The skin is red. “It’s water,” she says. “I take pills.” Garth told me to record her prescriptions. I flip through her worn leather-bound diary she keeps on the kitchen counter and make notes. He’s preparing me, he says. It’s not that he cares about her, but he figures she’ll go soon. He asks for updates about her health and her mood. When had she become so feeble? Five front teeth are missing. Her dental plate irritates her. On her chest and arms are coin-sized red welts, sores, and medieval round red circles on her limbs, back, and upper chest. She sits watching TV, her hair done just this day for the occasion of daughter and two grandchildren visiting. She picks absentmindedly at the shapes on her upper back and on her arms. “Keeps me busy,” she says.

She has started using my father’s walker that had been stored away. Stubbornly and only on occasion. My father still asserts his presence with his plaid pillow against the back of his chair and the opaque white pail he had used for Kleenex and spittle. The plastic bucket had become toward the end, kind of a spittoon. Life goes fast. There are newspapers all over the table, some already yellow, piled up and edited with headings underlined or circled, “Send to Susan.” “For Janice.” “Mail to Julian.” She doesn’t answer when her back is turned and I’m sitting at the teak kitchen table. “Ma,” I say when she sits down in her chair, “I don’t know, I’m worried.” She looks at me with her clear lake eyes. “Your hearing, Ma, can you, I don’t know, sometimes—” Her hand settles lightly on my arm. “No,” she says, “what makes you say that?” Still, if you whisper a juicy bit you don’t want her to hear or if you tiptoe over to the fridge late at night to sneak out some of supper’s remnants or to pour a glass of red wine for the sake of slight inebriation not the quality of wine, she’s suddenly right beside you, peering over your shoulder, taking notes. All your secrets, your hidden life, she creeps up and files them. I know this―we’re a family of internal spies.

I compose and send my new slight off to Robbie and then to Lenny. I yearn for love’s shawl around my winter shoulders. Men enter and fade or simply exit. While defining themselves as cool, they worry about my excessiveness. Lisa says I’d be wiser to choose a man with the possibility of a future, a man from the same city and maybe I should think about why I go for these long-distance ones.

Lenny phones every four months, calling me “baby,” “honey bunny.” “It’s a nice family piece with some interesting aspects,” Lenny writes when I send him the writing about my old mother, “but how will you weave the family piece into that fucking and sucking?” I tell him it all fits together. My mother coughs in bed at night. She keeps her standing lamp light on; she coughs and coughs. It’s a dry cough. I lie still so I can listen in and then I think of Robbie who has not yet phoned to tell me how great I sounded coming on the phone. Fuck him. If he doesn’t fall for the sound of a fine come. I worry whether I had sounded wild enough, had it sounded fake, too standard “oh baby,” intake of breath, “oh,” intake of breath. Everything is linked, Lenny. You know that, you who peeped at nuns.

I should have. I should have stayed by his bedside. Instead he died alone in the dying ward with only a fluorescent green line to keep him company. “You can go now, Daddy,” I said, my voice low and mellow and honey. “You can let go. You don’t need to fight any more. I’m alright. Really I am. And Caroline is with me and that makes her happy. And Lisa’s home. She writes poetry, Daddy. She’s a wonder.” His ears. Elephant ears. Can he hear me? “Let go Daddy. Don’t be afraid. And we’ll see each other again, you’ll see. You took care of us so well, all this time. It’s your time. You can let go now. Don’t be afraid.” I dressed my voice in black velvet to help him die and then I left.

“Ma, I’m going to the hospital,” I said the next morning.
“What can you do?” she said. “Where is the TV remote? Didn’t I leave it here? Maybe it’s my room, last night—”
I stayed for her. She’s alone, I thought, here while he’s dying. At ten the phone rang.
“It’s over,” she said. I want to write what she did after that, did she sit, sort the yellow-edged newspapers on the table, circle TV shows in the Gazette. She didn’t cry. I never saw her cry. Except once, at the Wilder house. “I’ll ask Daddy, he’s smarter than you anyhow,” I said when she didn’t know the answer to a history question. She was standing behind the counter, her hands busy adding greens, potatoes, and broiled steak to our home-from-school lunchtime plates. One swollen tear sighed on her cheek. Regrets.

When I was seventeen, Juan, a waiter at Camp Epstein in the Quebec Laurentians, fucked me in his cramped staff cabin just beside a clear path etched out from repeated romantic nighttime trips to the waterfront and conveniently down the hill from the mess hall. He was a highfaluting Jewish boy from Buffalo who went to some private school where his father was an English teacher. Juan said he was a certified genius. He had dark brown razor cut hair and an excellent profile. His cabin mate, Marty Cohen (whose voice never changed and who later became a double-chinned government financial analyst) lay asleep in the cot just two or three feet away. I lay on top of Juan, his prick up me as I grinded back and forth against his pubic hair. “Harder, harder,” I said. “Don’t stop,” and came three times in a row, moderate level but first time memorable and impressive. Marty woke up five minutes after I left. After that summer I would bring my boys downstairs to the den, fuck them, and come. Nothing hardcore screaming uncontrollably, just a hard climbing, low-peaked climax. Family and fucking are always linked, Lenny. It’s biological.

My mother’s room is not of this world. She waits in a space levitating, just raised above the earth and bound for heaven, waiting in line.