Hooked (erotivc memoir - edit 1)

Hooked

Mark hasn’t responded to my latest phone message. A woman comes on the phone, oh honey, oh, oh, heavy breathing, and the schmuck hasn’t the decency to send a thank you. He has five hundred of my emails, a damn book if he wants, and a video, and I’m pissing in my pants about the video because of Garth and his pornographic Internet wanderings. Men fall in love with me over my words. Lenny thinks they’d love me for my art as well. He is the only man with my art CD. He’ll fall for me if he stares too hard at my work, he can see my soul in those pictures, he says. Go right ahead, I tell him.

Lenny offers me a birthday present to visit him whether we fuck or not. I’m not used to such nice men. Instead I spread my legs; “There’s love in these here parts, baby.” The weeds behind my eyes grow wilder day by day. I’m renting a condo with a southeastern view of electrical towers beside theYonge-Finch subway line. Just beyond the towers, a plot of grass remains untouched, except for summer gardeners who plant vegetables and fruits in clear rows. The land looks like a cemetery even though there are leaves growing and weeds running out of control.

Everything is for the book: the first time Garth told me to take a shower and then shaved me so he could ass-lick me; how I lay on my stomach, pressing my cunt into the mattress, coming right there and then, and how that pleased me. Garth is a fastidious shaver. He takes his sweet time and he doesn’t say anything. His breathing doesn’t waver. He just dips the razor into warm water, wipes with another warm towel and surveys his work. Sometimes he tells me to lift my legs or turn over or go on all fours. And then he fucks me. His emotions are so bare, I lose sight of myself. I can’t even tell whether I’m hot or wet and to what degree.

My life has been turned inside out with all the writing. I could deal with Lenny’s fucking other chicks, I just need to be his main squeeze. I miss my painting and my paints, the hues of greens, blues, and purples, also reds, my irredescents, and my gentle life. I’m hooked and high on the book.

One clear suburban night outside Tim Hortons, two separate men roll down their car windows and offer me cash. “I was wearing my man’s leather coat, jeans, and my blundstones for god’s sake! Right next to the condo, can you believe it?” I tell Garth. Even watered down Willowdale debauchery allures me. I get drunk on the chattering of the keyboard although Garth advices me to leave debauchery for the next book.

I’m hooked. Lenny, Mark, Edward, Robbie, Louis, Will, the other Edward, Errol, Bruce, Robert, Michael, Garth —one deep full-bodied breath and I’m off and running, seeking out that point where life stops, just around the bend, I think, but when I reach the corner, life leers and moves to another block, another corner. You can’t direct life like steering a cock to a pussy. So I keep walking. The only time I feel fully embraced in the arms of happy moment, when I’m really cooking and thankful, is when I’m working on the book, writing to one of my men or lying with him. Visiting my eighty-three year old mother, I pace, sneak alcohol from the lower pantry shelf, peer in cupboards, and make notes on her medication for Garth who will tell me “oh, this is for that and I’d say give her six months, a year tops.” I’m homesick for my computer keys and I miss smoking up. My glasses remain in their silver Hakim Optical case. One early morning I tiptoe into the living room to inhale my father’s meticulously selected books and Zadi’s old treasures stamped “Pro Libris Samuel Lapitsky.” My god, all these books. I wonder whether my deceased relatives captured in these shiny frames are witnessing me taking stock.

I search for my father in Irving Stone, Durrell, Sinclair Lewis, in titles like “Main Street,” “The Mandarins,” and “Ulysses” books transported from the floor-to-ceiling bookshelves in the house on Wilder Avenue since renamed after some French-Canadian woman, Antonine Maillet, about whom I have wondered, but never looked up—and why not? I mean it’s odd, my following a homeless question for decades when a single trip to a local library would have saved it from the streets and inclement weather.

“Portrait of the Artist . . .”—sitting at Garth’s black desk one night, Caroline asleep in her sunroom cot, I told Lisa I was writing to an ex-con with a penchant for James Joyce. “It’s tough reading,” my poet daughter said. “He tries to go into the unconscious of characters in Dublin, as they might think or say in their tongue and with their history. I’m not advising against it, but it’s challenging.” “Which is not a bad thing, I’m always up to a challenge,” I’d said. I’m a pro at bravado. I can round up the players—brain, heart, and clit—at a moment’s notice. Dressed or naked, it’s all about energy, and every time, they fall for it, the men-boys, applauding wildly and pressing past security.

I sit on the shoreline, my memory at high tide—stepping on the wood, red, and silver metal step ladder to hoist “A Rage to Live” off the uppermost Wilder Avenue bookshelf, the book cover deep burgundy, romantic paragraphs read and reread. DH’s “Women in Love,” “Lady Chatterly.” Can my father hear me? If he hears and sees, what does he see? When? Always? At intervals? What does a spirit do for eternity? And how does one remain occupied when time never starts or stops?

A wood elephant, its grainy texture smooth but still apparent, trunk raised, tusks intact, draws me to the middle shelf. I am hoping the tusks aren’t real. On the shelf above, a black and white photo of Mummy nineteen-forty’s beautiful, and Daddy, his expression all soft and mellow. He was not like that, not an easy man. My parents’ McGill days, Daddy lighthearted and animated. And old photos, a young girl in a dress with knickers peeking out from beneath the hem, a smooth-faced boy, his hair wet and parted, bare wrists exposed past the edges of his jacket sleeves.

I’ve come away with a good catch this time. Five of Daddy’s sports jackets, four ties, a a pair of his pajamas, white and blue striped, my sister’s ankle-length black coat, a plastic ribbed vial with “Elizabeth Arden Make-up Remover” in my mother’s scrawl, two long sleeve jerseys, red and olive green (Daddy’s), and four books instead of one. A hardcover with gilded edges signed, “For Your Reading Pleasure, With Love, Mummy.” We have a family custom: one souvenir book per visit. I choose Feuchtwanger’s “This is the Hour,” because a book on Goya with well-written words about his persona, art processes described, and accompanying reproductions might be an inspiring and impressive book to possess. I’m self-conscious about the scope and appearance of my library. I also copped “The Mandarins,” something by Alexander King—“I Should Have Kissed Her More” (recalling past reading pleasures, possibly romantic), and Franz Kaffa’s short story collection to activate my mind into an avant-garde sensibility.

My mother is growing old. One night after supper, sitting at the table while pouring over the TV guide as has become her post-meal custom and placing red ink stars beside shows she would recommend, she holds out her left leg. “See,” she says, all perked and chipper, “it gets swollen.” The calf and front leg are swollen and hard. There are raised purple and red circles on the flesh. The skin is red. “It’s water,” she says. “I take pills.” Garth told me to record her prescriptions. I flip through her worn leather-bound diary she keeps on the kitchen counter and make notes. He’s preparing me, he says. It’s not that he cares about her, but he figures she’ll go soon. He asks for updates about her health and her mood. When had she become so feeble? Five front teeth are missing. Her dental plate irritates her. On her chest and arms are coin-sized red welts, sores, and medieval round red circles on her limbs, back, and upper chest. She sits watching TV, her hair done just this day for the occasion of daughter and two grandchildren visiting. She picks absentmindedly at the shapes on her upper back and on her arms. “Keeps me busy,” she says.

She has started using my father’s walker that had been stored away. Stubbornly and only on occasion. My father still asserts his presence with his plaid pillow against the back of his chair and the opaque white pail he had used for Kleenex and spittle. The plastic bucket had become toward the end, kind of a spittoon. Life goes fast. There are newspapers all over the table, some already yellow, piled up and edited with headings underlined or circled, “Send to Susan.” “For Janice.” “Mail to Julian.” She doesn’t answer when her back is turned and I’m sitting at the teak kitchen table. “Ma,” I say when she sits down in her chair, “I don’t know, I’m worried.” She looks at me with her clear lake eyes. “Your hearing, Ma, can you, I don’t know, sometimes—” Her hand settles lightly on my arm. “No,” she says, “what makes you say that?” Still, if you whisper a juicy bit you don’t want her to hear or if you tiptoe over to the fridge late at night to sneak out some of supper’s remnants or to pour a glass of red wine for the sake of slight inebriation not the quality of wine, she’s suddenly right beside you, peering over your shoulder, taking notes. All your secrets, your hidden life, she creeps up and files them. I know this―we’re a family of internal spies.

I compose and send my new slight off to Robbie and then to Lenny. I yearn for love’s shawl around my winter shoulders. Men enter and fade or simply exit. While defining themselves as cool, they worry about my excessiveness. Lisa says I’d be wiser to choose a man with the possibility of a future, a man from the same city and maybe I should think about why I go for these long-distance ones.

Lenny phones every four months, calling me “baby,” “honey bunny.” “It’s a nice family piece with some interesting aspects,” Lenny writes when I send him the writing about my old mother, “but how will you weave the family piece into that fucking and sucking?” I tell him it all fits together. My mother coughs in bed at night. She keeps her standing lamp light on; she coughs and coughs. It’s a dry cough. I lie still so I can listen in and then I think of Robbie who has not yet phoned to tell me how great I sounded coming on the phone. Fuck him. If he doesn’t fall for the sound of a fine come. I worry whether I had sounded wild enough, had it sounded fake, too standard “oh baby,” intake of breath, “oh,” intake of breath. Everything is linked, Lenny. You know that, you who peeped at nuns.

I should have. I should have stayed by his bedside. Instead he died alone in the dying ward with only a fluorescent green line to keep him company. “You can go now, Daddy,” I said, my voice low and mellow and honey. “You can let go. You don’t need to fight any more. I’m alright. Really I am. And Caroline is with me and that makes her happy. And Lisa’s home. She writes poetry, Daddy. She’s a wonder.” His ears. Elephant ears. Can he hear me? “Let go Daddy. Don’t be afraid. And we’ll see each other again, you’ll see. You took care of us so well, all this time. It’s your time. You can let go now. Don’t be afraid.” I dressed my voice in black velvet to help him die and then I left.

“Ma, I’m going to the hospital,” I said the next morning.
“What can you do?” she said. “Where is the TV remote? Didn’t I leave it here? Maybe it’s my room, last night—”
I stayed for her. She’s alone, I thought, here while he’s dying. At ten the phone rang.
“It’s over,” she said. I want to write what she did after that, did she sit, sort the yellow-edged newspapers on the table, circle TV shows in the Gazette. She didn’t cry. I never saw her cry. Except once, at the Wilder house. “I’ll ask Daddy, he’s smarter than you anyhow,” I said when she didn’t know the answer to a history question. She was standing behind the counter, her hands busy adding greens, potatoes, and broiled steak to our home-from-school lunchtime plates. One swollen tear sighed on her cheek. Regrets.

When I was seventeen, Juan, a waiter at Camp Epstein in the Quebec Laurentians, fucked me in his cramped staff cabin just beside a clear path etched out from repeated romantic nighttime trips to the waterfront and conveniently down the hill from the mess hall. He was a highfaluting Jewish boy from Buffalo who went to some private school where his father was an English teacher. Juan said he was a certified genius. He had dark brown razor cut hair and an excellent profile. His cabin mate, Marty Cohen (whose voice never changed and who later became a double-chinned government financial analyst) lay asleep in the cot just two or three feet away. I lay on top of Juan, his prick up me as I grinded back and forth against his pubic hair. “Harder, harder,” I said. “Don’t stop,” and came three times in a row, moderate level but first time memorable and impressive. Marty woke up five minutes after I left. After that summer I would bring my boys downstairs to the den, fuck them, and come. Nothing hardcore screaming uncontrollably, just a hard climbing, low-peaked climax. Family and fucking are always linked, Lenny. It’s biological.

My mother’s room is not of this world. She waits in a space levitating, just raised above the earth and bound for heaven, waiting in line.

Oy Va Voy or Busting My Balls (edit 1, erotic memoir)

Busting My Balls

“What I can’t understand is why you’re showcasing those people,” Harriet says, her French tips lounging on the escalator railing, “when you could be giving all this energy to your own.” I’m busting my balls, working my builder’s ass off twelve hours a day to pay musicians who dig my giving back to the arts and the whole RANG mentorship system while charging full scale SOCA rates. And although he left me one million, I don’t have my grandfather’s cash, my father wanting to put all the capital together, Julian’s, Susan’s, and mine. Abie brought Judge Gold’s son Mark over to advise me. “You’ll never see it again,” he said, but I worried about my father’s love and inheritance since he was still moderately thirty-million dollars’ rich, so I returned that million dollar cheque to my parent who, one year later, was scammed by the same guy who ripped off the Steinbergs which almost gave honor to my father’s reduced state, except the Steinbergs remained rich and my father used his capital to mortgage his award-winning twin Highland Beach condos. Still I had my builder’s mass and a steady gig training females in their LuLu Lemons. I just wanted to show a little love, you know, hold close and slow dance cheek to cheek, cock to cunt. And so I set up my gentle non-profit with its mentorship system for young up-and-comings, telling my story to NOW, EYE, Whole Note, Maple Blues, CIUT, CKLN, the Barker man at 91.1 Jazz FM, branding cards, postcards, posters, the works, ten thousand dollars worth of free advertising, a spot on 680 AM, press releases. I let it all hang out—all the houses, Caroline, my two solo art shows, the ex, my long days at the gym. This was the story I was full speed running with. There was a long distance runner at Number One Nautilus, such a skinny beetle—marathons and music festivals never intrigued me. But once I started running, I was in the race and for the sake of promotion, I spread my story out to musicians, clubs, sponsors—like selling cars, the story the same but always fresh. Maybe a new twist or detail—the sheriff at the door this time, Caroline’s body a twisted tree in emergency the next, and always music like a eiderdown quilt or an angel. I never said I wouldn’t have preferred cash.

“So what are you getting out of it? What’s in it for you? And I mean profit.”
“I don’t think there’s going to be a profit.”
“So you’ll break even.”
“I don’t think so. I did. I thought I’d at least get my investment back. I’m so tired, Garth, I don’t know. I mean, what the hell was I thinking!”
“You’re asking the wrong person.”
“Yeah. I work all these hours and then I do all the producing stuff and you have no idea how crazy it is behind the scenes, all this technical shit, the sound man and getting musicians there for a sound check, and tickets and TicketMaster, and Charles Mack won’t let the opening act from Montreal use his drum kit—oh, and then there’s food for the musicians and do you know how much all that’s going to cost? Five hundred dollars, that’s how much and the musician who said what a great thing I was doing and he’d lower his rates, well, fuck him, he wants one thousand for forty-five minutes and Levitasyon, that Zouk group, guess how much!”
“I haven’t got a clue.”
“Two thousand.”
“You’re kidding!”
“Nope. So I called Charles Mack who’s driving all the way here from Detroit and I told him, I got to cancel. How am I going to come up with all this cash? And he gives me this bit about the show must go on because that’s what his Daddy used to say.”
“So what are you going to do? If you cancel will you get your deposits back?”
“Nope. But that’s still a hell of a lot easier than coming up with twelve thousand more dollars. I’m so tired. And my back is hurting me, my lower back and you know that shooting groin pain? I can’t walk. How will I coach when I can’t even walk?”
“What does Pariser say?”
“She says I have to go for physio, she says it’s my lower back. You think it’s my piraformis?"
“You need to see a specialist.”
“See, I asked her and she said it’s your lower back and then she sighed. I can’t afford physio. And the other day, at the gym, I had to sit down. Well you know I never sit down, so along comes Karen and she says it doesn’t look good if I’m sitting down and what if someone tours the club and sees me? And Greenspan, I don’t think he listens to me, and I have this fear when he cracks my neck. ”
“He’s good. But it’s true he doesn’t listen. Hubris.”
“What?”
“He’s thinks he knows it all. But it would help to listen to the patient, especially when the patient is a trainer.”
“Last time he stretched my right leg to the side and it felt like my tendon was being ripped. He said it’s tight. But what I’m afraid of is how I’m going to work. How can I work with those women? I pick out their weights, I bring the weights back, then I pick out other weights. And I count. Remember when I broke my finger at Strictly and the shit Barbara, the one with the art dealer husband who liked my work but I couldn’t make it to one of his artist’s openings—I was having that skin thing done under my eyes the next morning—so there I am with my finger in a cast and she’s sitting, blabbing, and rolling her eyes, waiting for me to pick up her weights, and I’m limping like a parakeet because I couldn’t walk or pick up weights because of my broken finger.”
“Why a parakeet?”
“Well, when I was seven, my—”
“Your point?”
“And my point is what’ll I do? You’re telling me to lie on the floor for two hours which I don’t have and Greenspan is telling me it’s my back and tight muscles and referred pain, and Pariser is telling me I have to go to physio when she knows I can’t, I mean, she knows.”
“Maybe you have to find something new.”
“Yeah. Right. Remember I asked you when we met, how will I take care of myself? I mean how? And who’s going to help me? I’m going to talk to my mother. I’m going to tell her I have to cut back, I have to stay with Caroline and it’s true you know. I’m scared. I hate being scared. I spent so much time being scared and then I met you, and you’re not here anymore. So what’ll I do?”
“You’re the one who told me to leave. I didn’t walk out.”
“ And you’re the one who was telling me he was going to leave for how many years?”
“But you know me better than that. The fact is I didn’t. Until you insisted.”
“I’m not going to do this. You’re not going to do this to me.”
“Let me guess, you don’t want to talk about it now. So when will be a good time? Later? When later? Give me a time.”
“I can’t give you a time, I can’t. I phoned because my body won’t even let me walk and I need to work to support me and Caroline and Lisa. You’re never going to pay me back. I know that. You said you were keeping track of every penny. That’s not true. How much do you owe me? Do you even know?”
“It always goes back to money with you, doesn’t it?”
“And with you? It doesn’t with you?”

My grandfather gave me maroon bank shaped like a book without a key, the idea being to fill the book with coins and set up an account at the Bank of Montreal, Van Horne and Davaar branch. I filled up the book bank and broke into it. A few years later I stole eighty dollars from my grandmother. Green turns me on. Garth talks about his plans for grand wealth and we’re back in our beginning, my index finger tracing the breadth of his forehead down his fine profile “do you know your nose has the slightest bump in it?” I say each time, and each time he says “yes, broke it in a fight when I was ten.” It’s part of our love dialog, just as money is. “One million is nothing,” I say, “Ten is like one used to be, and what’s ten anyhow?” I like when he thinks big.




What Have I Got To Do?

It’s a grand morning. I’m inspired which always makes me happy and horny. I’m thinking history and intimacy are of greater value than passion and decide to part with existing online men and the minor fucks pending. Life and love are becoming too complicated, although there is something about my men and how they make me feel―like I’m eighteen again and love is all new. Only better, because finally at age fifty-six, I have learned how to exult. But then in the most fundamental way, I love Garth, even as I wait for his next breaking up summons. Because he lives in me. And he’s family.

I eat a leg of chicken Garth cooked in the “Total Oven” I had regifted him with. “But you regifted me,” he reminded me when I had complained about his inattention to holidays including my birthday, using my ambling tone even with my sad urge for a briskness.
“How quickly they forget,” I said. “There were cards and Chapter’s coupons.”
“Coupons,” he said.
“I wanted to give you books. Remember that bible I bought you. I looked at all these bibles for over an hour. St. James, the English Standard Bible, the New American Standard, the New Revised Standard, the one with my father’s name, the Phillip’s Modern English Bible, even the Daily Bible in Chronological Order. You were disappointed because I gave you the wrong bible, you said I hadn’t been paying attention all those years. I’m Jewish for fuck’s sake. So now I give you coupons. Sometimes I go to five stores for just the right card.”
“They’re meaningless.”
“And it’s meaningful that you give me nothing, no fucking cards, no presents.” My voice strains and cracks when I get upset, my words like abused dogs.
“See what I mean, I can’t even have conversation with you.”

Garth is working on his red and green trading graphs. He keys clients’ numbers with the pads of his fingers. I learned to play piano en pointe. I couldn’t play by ear, skipping out a tune, my fingers demi-pointe just knowing the way home, the way Garth keys words and numbers and lives his life. I sit with my legs pulled up beneath me on his beige leather sofa purchased from the Brick on credit and watch him. “Look, if you’d have gone short when I told you, pulled out instead of getting greedy, you wouldn’t be down. I told you what to do, you chose not to listen,” he’s saying, as he approaches and places his prick in my mouth, although I’ve just had my lower and upper lips enlarged for one thousand dollars, the freezing still intact and bruising setting in. Sucking Garth off plumps up my lips. I like the look which is why I went and had them enlarged.

He thinks I am satisfied. Or maybe he figures it’s not his place to say anything. He’s odd that way, like a cactus in the middle of an English garden. Anyhow, I’m more process than product-oriented and I like those solo coming times on the carpet beside what used to be his side of the bed or on the tiled bathroom floor. Still, when I pray, which comes and goes with the weather, I’m sure to slip in, “Please God, let me come while he fucks me. And if you could and I’m thanking you n advance, could it be with me underneath and his finger up my ass?” I’d be pumping away, moving my hips and cunt around and Garth would say, “Move your ass baby, that’s it.” But his belly is a mountain which I loved when I met him and still do. I might need some of God’s help on that one too. He’s larger than life, Garth is, and I can’t leave him. I’ve grown “attached” which was the word Garth used for his feelings about me when I requested five positive adjectives relating to what he likes about me. “Attached” was what he said, pissing me off at the top of moderate.

I email and discard two local men. Mark is back on BlackPeopleGreet with a new profile. “How can I your JCT when you’re on the computer prowl again?” I say my voice light as sideways glance. “Hey baby, don’t do this. I’m just connecting with old buddies,” he says, so I renew my membership. I hide my profile, delete it, and return online, although I click “view as offline.” “Why are you after geographically unavailable men?” Lisa asks when I tell her about the good ones, from LA, Washington, Atlanta, New York, North Carolina, Texas. I prefer words to tin can voices. A man from out west whines. Another sounds drugged or bored. Written words thrill. They wake me up in the morning and warm me at night. I adore life and myself. I’m an ancient, weary soul with my eyelids half-closed, unable to move my limbs and taste life. It isn’t Garth. One artist needs the understanding of another. But oh, this Washington man sounds fine, still Lenny — I would do anything for a man who could fuck my heart.

Louis is a Vietnam vet. I found him on BlackPeopleMeet. He’s from Mississippi and he has no intention of moving up here. He’s a country man all the way, he says. And then he’s going on about long-haired hippies slamming their placards on sides of the bus when he came back home and I say, “hey man, I just happened to be one of those hippies” and he tells me he damn well near killed one of them which was why he moved to the country. I ask him questions and scribble down his dialog, flipping pages, writing on a pocket-sized lined yellow pad. Now he lives with this giant cactus, maybe the biggest on record, the only black man in Lincoln. He can talk gently to me alright, but he can also murder and maim which is why he’s out there in the country. But sometimes the woods aren’t deep enough and the only place that can hold him is China. I know he’s too much like Garth. Harsh as a hundred-year old tree. But the next moment speaking to me with such gentleness, I cry. And when he says he’s starting up two businesses, something about archiving medical histories and broadband in the off-country, my cunt sparkles with those Canada Day sizzlers. Abie, Garth, Louis—wild men panning for gold. Some say I’m nice and I guess I am, but inside there’s a feral part and when I smell that in a man, I sidle right up, I’m on his track.

Louis has various ailments as a result of the war. He’d fade out, totally paralyzed, for one minute. “Never know when it’s gonna happen. They put me in this damn hospital, cause I was claiming for benefits, see, so they put me under observation. Well I had one of these fits you know, and this fucking cunt of a nurse kept jabbing her pen into my hand, hurt like hell and she asks me, ‘Do you feel this?’ Askin’ me if I feel this! And she’s plunging and plunging this pen tip straight into my damn hand! Fuck! ‘What do you think, you fucking cow?’ Treatin me worsn an animal! Shit! ‘Do you feel this?!’ Fuckin ram it up her ass and see what she says!” The war scooped out most of his gut and his hip got shot off. He’s like an old gun slinger, tossing on his prosthetic hip when he goes into town. I talk to him about My Lai because I’d just heard a show on CIUT FM saying it was the whites committing atrocities.
“Whites!” he shouts. “Listen, I got no fondness for bigots, but here’s the fuckin’ truth, and that’s where the media comes in, stickin’ their noses in where it don’t belong!” he says, shooting out each word like a machine pistol. “Makin’ things worse, makin’ trouble, more killings. What happened was twenty was killed, and those women and children . . .”
“What about those women and children, for god’s sake!”
“Well ya see, you up there in Toronto, the Reds put these grenades round these kids’ necks and then they tell ‘em, ‘Go up and ask for a chocolate,’ or ‘Give the American a chocolate.’ And I don’t care who the fuck, or how old the fuck, who’s comin at me with chocolates and a grenade round his neck, gonna blow me up―I learned how to stay alive that day and what the fuck does the press know about that!”
Louis says he licks pussy bettern’ any dyke and some of them’s damn good at what they do. I don’t understand these one-dimensional men. Technique will get you to first base, but it doesn’t come close to passion and heart. Maybe Louis will stalk the country side and poach all its cash. I need saving and that’s the simple truth. Truth is a strange bird; its plumage changes according to season so it’s almost unrecognizable. Also it’s known to be quite elusive.

“Do you know that Mao couldn’t read or write?” I listen to this man, Louis, and I wonder if he’s crazy or misguided, or both. “But the Red Book!” “Ghost written,” he says.
He tells me to buy a web cam so he can see my eyes. “The eyes are mirrors to the soul,” he says which he knows because he’s half Cherokee, his mother having been full blooded. He says his momma always told him,” Ain’t no one bettern’ you, no one.” All his life he could hear her say that and it stuck. His son used to say he was half white, hung himself from a willow tree over it. In a quiet way I care for Louis. We make plans. He comes up to Toronto. The phone rings once, twice, six times. I don’t answer. He emails. He says God may forgive, but he no way he can. I wish I’d have seen him, so I phone and leave messages until he says he forgives me, him and God, both. He calls me “my love” when he says good-bye. I say “sweetie” since I don’t want to hurt his feelings. He’s been through enough. It’s the same with Garth. Scary men intrigue me.


Garth

Garth knows my father is dying. “Take the train in,” he says. “He doesn’t have long now.” Lisa stays in the condo with Caroline. Abie says he’d drop by to relieve her. I know we’ll get maybe one hour out of him and that’s alright. Otherwise I’ll come back to trees uprooted, limbs blocking entranceways, books thrown off their shelves, scattered.

Demanding two servings of eggplant lasagna, three Little House on the Prairie reruns, and the remote, Caroline wields her mental illness like a battle sword. Lisa enters the field with a forced smile, while I, on this train ride to my father at his dying time, scan scenery and take photos.
My mother stands by my father’s bedside in the Montreal General. She’s holding a spoon with red jello. “Why are you doing that?” my sister says. She has a tan and pearls and her tough skin is covered with wrinkles. “Maybe he’ll eat,” my mother says, holding the spoon to my father’s mouth. “If it makes you feel better. But I’m telling you, he’s not going to eat,” my sister says in her smoker’s voice. I look at my mother. Better not to say anything. I move forward and put my arm around her. My arm spans her back and down her shoulder. She’s lost weight.

“Daddy,” I say. “Daddy.” He lies propped up on two pillows. There are clear and opaque tubes. I see the attachment points on his wrist and in the crook of his arm and I understand. Because of Caroline. “I love you, Daddy,” I say. He doesn’t blink. “Daddy,” I say. “Caroline and Lisa are fine. They love you. I love you. So much, Dad. Do you know I sold a painting? A huge canvas. It’s commissioned work and maybe they’ll want another. I did a portrait of you. Your hair is fluorescent green and you’re wearing a royal blue bathrobe, but it’s you alright. And you have a twinkle in your left eye.”
“He won’t talk to me, not to anyone,” my mother says.
I put my hand on his and gently press. “I love you,” he says.
Later he calls out “Swine, swine.” Also, “Take me home.” “He needs more morphine,” my sister says.

On my train ride back to Toronto, my eyes take in scenery, latching onto its tail as it passes. I phone Garth from Union Station. “He’s dying and I left him.”
“It’s your last chance. Go back,” Garth says. He knows about these things. He has a gift. Because he was abused, maybe.

I don’t want to write about my father dying. He was a powerful man who became reduced. He wore diapers. My mother took care of him until he started soiling himself and then PeeWay came in. PeeWay loved him. When my father died, my sister told Peeay not to come to the funeral. “You better stay here. They read the obits and break in.” PeeWay just looked straight ahead, her brown eyes dark and mournful. As my sister was leaving, she called out, “You might as well come along, we’ll alert security, so you come on now.”

My mother didn’t know how she could manage the reception after the funeral. “You have to be present for your visitors. You’re the hostess,” my sister said.
“I don’t know if I can,” my mother said, her eyes darting the way they always did when she was depressed.
“You will,” my sister said.

I wrote my father’s obituary in five minutes. “Write about his love for music,” my brother said. “His storytelling,” my sister, Susan, said. “Oh, and he took care of his shoes.” She was walking on two canes at the funeral. She’d had one hip replaced and then the other and she wasn’t healing well. But then her idea of exercise was isle shopping at Steinberg’s in Cote St. Luc mall. For my referred pain points on my right side, I had one wood crutch Abie had used when his back gave out in the Bluffwood Drive house. It’s odd, some of the items that have stayed with me. My sister had insisted on unpainted pine for the casket. “He would have wanted it that way. Do you remember those ten blocks he walked so he could save twenty-five cents on a lousy ball-point? In the middle of winter?” she’d said. “It was the principle.” I said. “And what about the green Cadillac convertible and the pink jeep with the candy-striped canopy at Los Brisas?” Even though I had to steady my hands on Paperman’s lectern, reading my speech pleased me. It was like being on stage again, slipping into my father as he dragged out the first syllable of my mother’s name, “Flooorence! Flooorence!” He spent his final years falling asleep at the TV and calling for her. She’d click her tongue, “Coming Phil. I’m coming, I’m coming.” Sometimes she’d take her time, so he’d call out again. “Just a minute, just a minute,” she’d say. He said she was his angel, in those years. She always was although I’m not sure he knew it.

So there I was intoning with just the right degree of expression, in the swing as my rowing crew would have said, my sister leaning forward in the front row, her clasped hands swaying oi va voy side to side like Baba used to. The tips of Julian’s ear’s were red, his office hair parted neatly on the side. I don’t know if I cried. That came three months later, racking howls, great forces of nature.


The night I returned from my father’s funeral, Garth invited me over to his basement apartment. I called him from my car. “I’m two blocks away,” I said. He liked to unlock the door ahead of time so if he were in the middle of something, he wouldn’t have to interrupt himself by letting me in. Usually when I came over he’d be working on his computer or watching his favorite TV show or cooking on his electric wok or attending to his Total Oven.
Garth sat like a Sphinx on his beige leather sofa. “Janice,” he said.
“Yes?”
“Sit down.”
“I think I’ll stand.”
“I think you might want to sit.”
“That’s alright. Maybe it’s better for me to stand,” I said, eyeing the open bedroom door.
“Up to you. You may recall our conversation while you were in Montreal. This is where you answer.”
“I don’t know, I was distraught, I was in the kitchen, with my mother and Susan was there. I wasn’t focusing.”
“Yes. I know.”
“You were cleaning up your life.”
“So you do remember. Cleaning up my life. Whatever it takes. I looked at my life while you were in Montreal. You’re holding me back.”
“You’re telling me this now? My father just died, for fuck’s sake and you call me over to tell me this? What kind of a man are you? I mean couldn’t you wait? Maybe a week? I just got back. He’s dead. My father is dead, and you—I don’t believe you.”
“Find a therapist,” he said. “I’m going places. I want a simple life. Mental illness just doesn’t fit in.”
“But Caroline doesn’t live with you.”
“Like I said, I’m cleaning up my life.”
A week later, as I was about to walk into our mutual gym, he emerged from his silver Acura.
“I’m warning you,” he said, “you bust into my training session and I’m erasing your name from my cell.”
“So you’re training that dirt bag, Sharon. You’re just a gym gigolo, you know that? She can’t even do a fucking squat and she has a back like a set of train tracks. ”
“It won’t be the first time I’ve erased people from my life. I cut out my own mother and sisters. You’re the next in line.”
“But Garth.”
“Recall one small detail—who signed your lease? You come in and I swear I’ll get you and crazy daughter evicted.” Garth doesn’t raise his voice. You have to look closely to observe any shift in his features.
“No, no, please don’t do that.” I cried, inhaling air like a junkie.
“Take my advice, then. Get in your car and drive away.”
“You fucking evil asshole!” I gunned the accelerator of my second hand Grand Prix, its tires screeching. For emphasis, I drove around in two more wild circles before exiting.
I shall never forgive him.

Still, it’s important to know that Garth is a man with a vision, that he will be phenomenally rich and that there are always two sides to these “he said, she said” stories. I could play him. I could walk free and clear and unafraid of the sheriff’s loud knocking at my door. But I am writing this book, which he will read and never will he understand that each time he said he was leaving, I died. I drooped closer and closer to the ground. I wilted. And each time the only thought that could pick me up was there was an online man to slow dance with and love me. I would have killed myself otherwise. Garth stole my heart one night at Strictly Fitness and almost hammered it to death. Through passion I am hoping to reclaim it.

Running Naked with My Hair Flying (erotic memoir, edit 1)

The Woman Is Tired

Two months have passed since I first met my Atlanta man, my American online steady. The thing is I’m in love with myself even though I once read when self-love walks you down the block, despair lurks around the corner. Meanwhile I’m just a worn-out circus trainer throwing out emails like raw fish to keep my men in line.

Mark sends me an email from work. He wants to swoop in on the twenty-eighth to deliver fresh protein, “is it a good time to cum?” he writes. I wince. Anyhow, there is no fresh protein shortage—Lenny, Robbie, Mark, the kinky little one James, Garth—miserly with his cash and generous with his semen. They’re babies with their cocks, these men. When I kneel before a man’s cock, he plants his prick at the back of my mouth, his bare ass pumping. And then he says you love it, don’t you and I say yes, I do, but the truth is it’s about being expedient. Kneeling facilitates the art of deep throat and siphoning off semen. I like showing off, but mostly I want him to get trigger happy and shoot his load. Because I work with invasive chatterers and I’m tired. And because I know I’m not going to come and I don’t really give a damn except I’ve got this persona, so I toss an exotic image to the part of his brain wired to his cock, which is his entire chunk of grey matter. I’m thinking females allocate specific brain cells, and after all these decades I am beginning to understand myself. I’m like a guy in this mad life, working the room with standard socializing and how-do’s, all the while inching toward the exit door connecting directly to my crotch.

“Not my JCT!” Mark says when I tell him there is no moaning in me, no ooh baby and all that phone shit, I say, and as for my words that used stay up all night, always wet and eager, well, they’re tired, cannot not remain awake, have grown pale, possibly anemic. He says I mustn’t work so hard, I should rest.

I miss Lenny. Online men gorge on my passion and exuberance, but it’s Lenny that I like. After he kissed my cunt and flew back to Chapel Hill, he left me a phone message playing “A Kiss is Just a Kiss” on his electric kazoo. I dashed out in hunt of an adjective for beyond cool. “You’re the one, you’re velvet” I wrote, even though the sex in me was all used up, like my fridge when I’m low on cash.
Hardly any weed left. I tell Lenny my birthday is coming soon and a party might revive me. He develops a plan: I should rent a studio, display my erotic art, a band should play two types of music. While all I’m wanting is to lie in bed on a Sunday morning with the weight of a man’s arms around me. This emptiness is an unwelcome visitor, one that stays on and on, refuses to exit, consumes. Maybe I’m depressed. I write maudlin blues lyrics and send them to Mark. I can’t think of a tune.


It’s All Too Fucking Predictable

We were consumed with each other. In our peak season, emails and phone calls taking off every hour, every seat was taken and charter flights were fully booked. The weather was warm and balmy. It was one of the best seasons I could remember. But I slacked off and Mark placed himself back in the online hunt. I’d set the man up at the Drake and fucked him in every way. Twice a year on New Year’s and also on my birthday for the seven years following, he’s still pitching a remake.

James wants me to accompany him to a swinger’s party. I’ll go, I say, if I can stay dressed and write about it, the way an artist sketches court proceedings. He says I can stay dressed, but he doesn’t think my scribbling would go over too well, we could go out for coffee afterward and share mental notes. We’re on the phone “after midnight” like that Monk tune on the tape from the wacky Bostonian, I having repaired to the sunroom since Caroline is sleeping sprawled out in my bed. “You’re telling me swinging exhibitionists wouldn’t flock to me? All I need to say is I’m doing a piece on swinging, my big break possibly and I would so appreciate. . . ” James says there’s a certain etiquette, this being a franchise. I sit up. “You mean like MacDonald’s and Kentucky Fried Chicken?” Then I email Mark, who zips back an immediate response even though it’s Monday and he’s a working engineer. I leave a message on Sabina’s machine: “Remember Anais Nin had this client she wrote erotic stories for, like the ones in “Little Birds” and those books. Anyhow, she and Sartre and Genet would sit in the café at Monmartre, well, maybe not Monmartre, I just put that in because it enhances the picture—the truth is I’ve never been to Paris and you know about my intellectual gaps—so they’d drink and fashion up scenarios for her dollar-a-page gig. Now here’s this engineer emailing me in the morning with his ‘hon, sucking me off would be a good thing right about now,’ so I tap out a page or two, but he’s still hungry, could I give him an old-fashioned missionary on the side, like at a restaurant, you know, ‘and I’ll have some fries to go with that.’ And what I want to know is when the fuck does the man work?”

In the morning I send Mark his missionary and throw in an extra sixty-nine. He’s fired in the afternoon. But Mark believes in God and he’s a Southern stoic so I know he’ll manage. Before phoning him, I slip into the ensuite for a few tokes. I was a fine actress and could fake consolatory tones and dialog, I’m a passionate and creative liar and excel at delivery although I have never forged a come, being more of a process than a product-oriented type. The man is given the boot for his fixation and I’m thrilled. “More for the book,” I tell Sabina.

It’s a small fucking world. Garth goes out with some work-related types to a steak-house in Scarborough, the client Garth is courting turns out to be a musician, a pianist with a steady gig and cash to invest, and as he’s opening his silver attaché case, the orange and black postcard for TUZA, which just happens to be Swahili for “to pay tribute to”—and isn’t that what Relay of the Arts for the Next Generation is all about?—falls out or comes into view. Garth comments and the musician says yeah, he’d heard about the festival from his Chicago drummer friend who’s coming into Toronto to spend the weekend with the broad who’s running the whole thing. “Question for you,” Garth says when he calls. I decide to do a partial-accept, full deny and tell Mark not to come in for my birthday; I am sick, depressed, crashed and weirded out from smoking up.

Garth phones the morning of my birthday. “By the way,” he says, “it’s your birthday isn’t it? “Yes,” I say and wait. I figure he’s decided to cast me out of his life again. On my birthday. He is determined to make me sad on mine and to feel guilty on his. Come to think of it, all the holidays we share are like that. And most days. I don’t know why I let him fuck me up the ass. Still, it’s my birthday and I’m crying because I love him and hate him, and then love him all over again even though I’m fifty-six and should know better. Loving Garth is like the wild come I never had, although once I grabbed Abie’s shoulders on the Austin Terrace Street bed which had a built-in grey bookshelf headboard for night and early-morning readers. It freaks me out to think of Abie’s cock on account of his doing such injustice to the appendage.

Garth says he wants to be more involved in my writing life. But what he really wants is to check out his performance record. He’s matured over the past nine and a half years, I tell him. He is almost an accomplished lover.
“Why almost?” he says.
“First, tell me five things you like about me.”
“I feel attached” is all he’s willing to say. Oh, and he’s reconciled to having me in his life in one form or another. When he fucks me, his eyes never soften or deepen. He kisses really well and he has soft lips. He has taught me what rimming feels like and I think he’s good at it, he ass fucks with gentleness when required and knows when to ram hard. But he can’t project love. If he could add love and affection, then he’d be accomplished. On my birthday, a dozen online men send me birthday greetings. I lie in bed on my side with my back to my bedroom door and refuse to answer the phone.

I trim my pubic hair to add flair to my emails. Online love makes me feel like Paris where couples kiss on street corners and I like that. It’s my peaceful place and my refuge from the storm. But now Mark says I haven’t lived up to his expectations, haven’t paid my part of his long distance bill or sent him a Canadian beret. I slide into monotones and dream in black and white. Only my fingers move as I type. My salmon and grey Mexican blanket wrapped around my shoulders, I strike these keys and remember my old Hermes typewriter.

I talk to myself. You’re just lonely sweetheart. You’re sliding, honey. Hope leers and flaps off, and I am Madame Lafarge typing, typing, worrying all the while about money, adding up what I have, what I need, what small amount I earn these days. My head is full of numbers. I sit at this heavy black wood desk facing north while Caroline, gorging on TV, runs her zigzag commentary. My writing is a steaming kettle spewing cunt, cock, fuck, ass and come, with words strewn in between.
What do you think I need? Who do you think I am? Why am I still alive?

Doubts peck at me. Cantankerous geese. I stay alive to take care of the girls—filling in spaces with art, writing, assorted inspirations, and men. I type because if I stop, the world will freeze in its tracks and I might fall off.

Garth is a killer. I have never met a man like him nor will I again. He tears my heart apart, but I can’t let him go. I phone him since he is well-versed in the art of lethal weapons and assorted homemade death-inducing methods and a clinical effect’s list. I tell him I am full of loathing and he likes that.

I send Mark acquiescing emails while I question my life, the men, the wish and
need for, the hunt, the letters. Sometimes I skip words and my voice drops to a whisper. I take adavan, smoke up, and then it comes to me. Robbie! The understudy strutting out of the wings.

Life is soft and hard—a summer’s sun in an Arctic winter. The ex is floundering again, his body flabby, flesh washed green. Skin like rising dough hangs from his chin and flakes off his eyelids. I will not stand around his grave. He’s afraid, he says while I worry for myself even with my cloak of muscles. All that has passed between us, all the losses and pain—I try to think grief as an old war wound from another life time. It never works. Memories are like a pop-up clown-in-a-box. Wind and wind and the clown pops up. Slam the red metal cover down, wind, and the damn clown pops up again. I stare in the ensuite mirror. Opening my eyes in nineteen-twenty’s mock horror, tears fill and spill as the old piano player performs his tired score. The air is porous and dense. There are terrains on this earth where land lies rolling and smooth and air is perfume and gardenias, but this land of mine threatens treacherous and steep with air like thin ice. I’m cold. Wearing a faded red-hooded sweatshirt and my father’s old wool cardigan, and I’m still cold, typing, typing for all the homeless and the despairing. When you’ve been a member of that group, you can never walk away or revoke your membership. You’re a member for life.

I want to write about loneliness and fear, the struggle of grasping dreams as the only worthy living remnants, like hanging onto the ledge of an unseaworthy cargo ship—what such an effort does to a mind and body that could once move with grace and adapt effortlessly to any angle. Now all I can write about is love and cunt fucking, love and ass fucking, love and sucking off—love.

I save what is left, managing to get out with some of the old dreams intact. My raft is a daughter whose mind has tunnels with tests of fire and monsters. She carries around the unshakeable belief that I can fix whatever is broken or at least maintain it, and she is dismayed, scared when I cannot. But if you’re in a crunch and you need a woman who sits and types in a man’s size large leather jacket in the hope its toughness will rub off on her, then you’ve got the right broad. Then I discover Abie is in quicksand again, flailing about and sinking deeper and will that ever change? There is no one else to care for Caroline who sits watching TV and knows all the shows and related times. There is no one else for her.

Mark requires three thinking days to make up his mind. On the fourth day, I can contact him, he says. I send him an email on the first day. “Mark, I am a good woman. My grandmother was a strong Russian peasant with long blond braids in her youth and a powerful singing voice. My grandfather was an earnest man with an amputated trigger finger, this grandfather who taught himself letters so he could read Tom Paine, Bertrand Russell, Tolstoy, Gandhi, Nehru, and Einstein and gave Wanda Landowska’s recordings of the Brandenburg Concertos and Beethoven’s Piano Concertos, especially the Emperor, Number 5, my favorite, air and sunlight. Moyne, my skinny wired cousin who smoked three packs a day said there was not a kinder man than my Zadi. He didn’t have a mean bone in his body, except that he teased his wife something fierce, every day of their marriage. A man, Mark, who gave away half his fortune so ink might stain a writer’s fingers, whose grace gave Shiva oils a canvas and a voice to the sweetest arco. This is the man who grew my embracing heart. My Zadi. And you will shortly leave.”





Alone

Maybe I’m spinning too fast. Maybe I never learned how to spin at all. Never lay on my back warmed by the noonday sun and watched the passing of clouds, images spreading and shifting, slipping away. No chance for me—silly spinning with arms sparkling like dew on the points of grass, shaping myself into an “S” with you whoever you are. Not for me, twirling until the world becomes dizzy. Maybe once, dressed in a white poplin sundress and scallop-edged ankle socks in Cape Cod, I felt the part where after delighted, after twirling, you stretch out on stalks of grass, their tops prickling the skin on arms and legs. And I am so full to brimming that I’m empty and all around searching for love more and more.

I write to Lenny. I tell him he’s the best of who does what and who says what. He says he’d like to be a fly on the wall. I create scenes for him and he believes he has access to my naked soul. He has sucked my cunt, his mouth vacuuming an orgasm right out of me. When I came and trembled afterward, he spread his body over mine. “I like to watch,” he said, would I masturbate for him and would I mind if he jerked off? I laughed and climbed on top of him. “Oh now she’s climbing on top of me,” he recited and “oh, now she’s using her tongue. Baby!”
Love has ravaged him, he says, so I ask whether he would prefer to be in love or to have some loving in his life. I write to Lenny because, in some way, we are sharing this book I’m writing. “Hey baby,” I say, “I had this new online fling, set him up with my letters—remember the one about ass fucking and my bathroom come? Oh, and I threw in an old deep throat for good measure. And left messages, erasing and repeating five times maybe more because, you know, intonation is everything.”
“You’re a crazy woman,” Lenny says in his light Mose Allison voice.

I sit down in front of my keys, playing the letters—keys tapping, dancing side to side, up and down, the rhythm sometimes halting, searching, slowing down, gathering up speed, commas, commas gathering up speed, linking letters sending messages about love, heartache, yearning to a New York man with a cock like a divining rod. “Come take me, I’m on that tour” I’ll scream running naked with my valise in hand and hair flying.

I’m stoned when I read his emails. His words appear broader, thicker. I set out my word traps. I want to teach him about hardcore kink, about bonds that never claim wrists or ankles, when a mind spreads its legs. “You can see it in the eyes,” I tell him, “they’re haunted, you know, and the lids are like mourning veils. My eyes.” I’m a junkie checking out hotmail: has he written, what has he written, and if he hasn’t, why not? He should be sliding in my come by now. When he writes, I’m high. “Oh,” I say. “Oh,” my fingers suspended above the keys, headphones filling my head with an old sax tune. I dress in layers; as soon as you think you’ve hit my undermost layer, there is another one beneath and then another. Even I don’t know what’s at the bottom or when I’ve reached it.

Four times a week, I train a three-hundred pound middle-aged woman, a suburban mouth who claims that she comes twelve times in a row. Her pale skin is veined and hangs in sacs. She has clear blue eyes, but the skin above and below is purple. At fifty-three, she’s hooked up with married Norwegian she met on the fourth pay-what-what-you-can day of my music and arts festival. Toronto Lennox used to fuck fat women. There was no work involved, they were just so grateful, he said. Harriet parades her bedroom details to Women’s Workout members—how the Norwegian taught her to take piss and rub herself, how it made her come and who would have believed it. He’s a hunk, she says, but I’ve seen him in person and he’s just a tall man with a small nose. We Jews still worry about our noses. Garth says that white noses are a mutation and I think he’s right. Harriet’s an obese woman with a belly rolling out like an old carpet that’s been spooled for decades and then unraveled. I never liked her although she has a good heart. Also, eleven years ago, groggy from a night’s sleep and mid-night binge and needing to take a piss, she bumped into her husband hanging from a bathroom fixture. So I felt sorry for her in spite of her being a three-times-a-week-guaranteed on account of her longstanding affair with food. Harriet has a talent for quality multiple orgasms. But then she’s got thighs like Garth and her massive comes could cause earthquakes. No way would I trade places. Even with my quest to reach my orgasmic potential. Besides, she has owl eyes like John Diefenbaker.

Which is the Way to the Wild Side

“Hold your hair up, chin up and to the left, look that way, now this, now twist a little, arc, that’s it—and twist,” Alex says, clicking away.
“I love this,” I say.
“I can see how you must have looked when you were an actress. It’s like you’re right there. Yes, absolutely. Doesn’t she, hon?” he turns to Lisa.
“Yeah, she really does,” Lisa says. “And she’s still beautiful.”
“You two are the best,” I say. "What memories!" Lisa thinks we're creating a portrait album and I do have a box of photos even after all the houses. But these ones, these are for my men.

The base of the white studio wall curves into the wood floor. A black velvet cloth covers the Polaroid camera propped on a silver industrial tripod. Lisa has wrapped my red silk kimono like a turban around my head and transformed my black stockings into elbow-length nylon sleeves. My muscles are for the most part not even in the pictures and I’m alright with that.

Around one in the morning, I drive Lisa home. It’s a freezing winter night and I don’t realize until I’m on the highway alone in my car that my cunt has actual weight to it. I’m an elitist when it comes to my cunt and I think there’s a uniqueness to the way I sense details and sequence. My cunt is a destination, what’s that expression? Something about Rome and all roads. Or—at the end of a narrow hallway, a room with pressure from the inside spreading out, and radiating from the hand-hewn warped wood door is a glow, not white, but yellow, cadmium yellow light like the background in a watercolor of mine, “My Heart is So Unruly Truly Part 1,” like that one or maybe “My Unruly Heart Part 2, AKA Slipping into the Sweet Wilds.” That’s it. A new scene for the drummer man. “What a fucking turn-on!” I’ll write, “Wow—it makes me want you— shit, you’re fine! Oh baby, sitting here at this early morning time, typing furiously and wishing to come for you, all quiet except for this shivering because there you are with your cock leading the way. And when you lean down to kiss me, I turn my neck causing you to kiss the side of, nape, and hollow beneath my throat, and I sigh ‘baby, baby, baby, you sure do that thang to me.”

I play them all, they just fall right into place. This one, this drummer one and the others, hard and heated from these words, words, words. “So I ask you please fuck me and you ram in and in and in. Out my window I see my come all spruced up and shining, hovering at the edges of this early morning moon. I straighten my legs, which honey is what I do, tighten and tense, you hold my hair the way I like and your finger is up my asshole, I’m fucking your finger and your cock and I can feel the come inching up the insides of my thighs, swinging into my cunt, spreading and branching out while the moon’s hanging full and bright. Sex is such a wonder, isn’t it? Oh baby, I am hot for you!”

Babies. They’re all fucking piss asses. Words turn them on and deliver how-to’s, so when they come into town and want some action, I don’t have to say anything and they know what to do. I don’t fuck them all. Sabina’s fine with one-nighters. When she needs some flesh, she’s on on the prowl. She needs a certain look—high ass, tall, dark skin, some mass although she doesn’t require a builder. Also she’ll make do with a flat ass. I’m not sure how sticky she is about height. Sabina says with one-nighters there’s no follow-up.

“It’s like there’s a protective bubble. They just have to shut up and fuck me—I’ll do the rest.”
“Not me,” I say. “I love music and words. Mostly music. Sometimes their words are so lame, ‘fuck me baby, you like this don’t you?’ and all that shit. Even the smart ones, and I only like smart ones, have lousy fucking dialog.”
Sabina says “not me, turn on music and I can’t concentrate. No music, no words—those are my rules. And don’t fall asleep in my bed.”
“I wish I could be like you,” I say. “Garth never played music and he’s not much for talking. But then I once had this guy and he was really smart, decent dialog too. I’d say ‘tell me again, honey.’ He thought I wanted a rewind, his words being so sexy, but the truth was I couldn’t hear him. I figured if I told him I’m going deaf like my mother and grandmother, would he please speak up, that would destroy the mood and his hard-on. And you know how it is when you ask someone to repeat something—they speak up alright, but they also slow down, like you’re some idiot. Garth does that. I have this trouble with surround sound, not that there’s any when he’s fucking. Maybe he just mumbles, like youlikeitdon’tyac’montellme.”
“You’ve always been particular,” Sabina says, “which is why I never understood some of your choices, like Garth and Abie.”
“Yeah, well, you know the book about smart women and their choices—anyhow back to the dialog bit, I was just remembering about fucking and not hearing—there’s this time I can’t hear Garth and I say ‘honey I’m really sorry but I can’t hear you’ and he says ‘YOU . . . REALLY . . . LIKE . . . SUCKING . . . MY . . . COCK . . . DON’T . . . YOU?’ like he’s talking to some dull, deaf two-year-old which makes him a pervert, doesn’t it? Anyhow I’m not sure Garth was such a bad choice. You don’t agree, I know, and there are parts of him that aren’t nice, but he told me from the start, ‘I’m a mean guy,’ he said. And I guess I liked that. I identified, being evil myself and all.”
“Deceitful, perhaps, but evil? Never.”
“I did stuff,” I say. “I grabbed at things because I had to stay alive and I’m impulsive. I grabbed at Garth. He was so big and I thought he’d protect me. And I can’t end it. I mean I guess I can. I could. If I had the money— but I don’t know, I really don’t.”

Maintaining the Family

I smoke up before breakfast and Caroline’s morning meds and check my emails. My men must love me, different from a collection, separate from ego. They hold me up the way a dancer balances his partner in the air, freeing her from earth’s common aches and heartbreaks, then placing her so gently back that she maintains her balance, just the tips of her toes touching the ground.

Mark has something for me: “Picture this—a bed, huge, one of those circular things, and there’s a man and a woman—actually, there’s a man and two women. Of course he really digs the one with the long dark hair, but she sort of gets off on the other woman and he’s cool with that.”
“I don’t know about this storyline, I mean, it’s just not my thing, sweetie.”
“She’s not really into the woman,” Mark assures me, “it’s her old man she digs, she’s doing this for him, you see, and that’s the cool thing.”
I tell him, “You straight men are all chauvinists to the core and I guess that’s just the nature of the beast, but I’ll see what I can do and it’s sure not going to be easy. Because I like to involved when I write and no way is my head going to get around this one. And what would you do about a female saying there’s two men and this broad, see, and—”

Garth would fucking never let me forget the scene. He’d laugh his flat ass off. And if I were to explain, “It was the drummer—remember you and I were talking about the book needing more variety? I mean there’s got to be a limit to ass-fucking and sucking-off scenes. So when the drummer thought—I just want you to know it sure as hell wasn’t easy writing that shit,” Garth would answer, “right, anything you say.” Then I’d remind him about the time he told me for one million he’d let anyone fuck him up the ass.

“One million—don’t you think your ass is worth at least ten?” I said. “What about half a million? Would you do it? You’re so fucking weird,” I say. “You like this conversation. I mean it makes you laugh. Look at you. I gotta tell Talon. Man oh man, he’s going flip. ‘Exposed,’ he’s gonna say, and if you ever tell Lisa about these conversations—”

Slipping, stoned almost all day long, writing in 3-D, lungs shot, smoking through my asshole. I write with an old wine glass of red or white beside me because the image appeals to me. This morning I woke up with the Garth’s semen coating my tongue. Only prissy women brush their teeth after swallowing a mouthful and some tight-laced shits brush and gargle before they even wade into a cock. And then there are those Women’s Workout members who shake their heads and purse their lips.

I used to admonish the religious ones about their lack of protein. A body requires protein to built muscle, I’d say, and muscle consumes fat. Gorges on it. I’d count up their daily protein intake.
“Thirty grams!” I’d shriek. “You can’t build muscle on thirty grams!”
“But I want definition ,” they’d say.
“Look, if you want definition, it’s quite simple. Build muscle and watch what goes in your mouth. You’re deficient,” I’d say, shaking my head. And then in a softer voice, “Look, if you don’t have more protein you won’t lose weight.” I sigh. “I know there’s children and meals and Shabbat is a lot of work. I know. So what I’m telling you is there’s an easier way.”
“There is?”
“Thirteen grams of the best quality protein.”
“Nu?”
“Simple. And everyone’s happy. Next time you suck off your husband, swallow. He’ll love it, you’ll lose weight. Twice a day, maybe three. Right there, let me see—thirty-nine grams. Never mind what he wants. Be selfish for a change!”

Ebonics

I want to share my writing with Garth. There’s not much that holds us together these days. We don’t work out together. I sob when he phones me. Sometimes I don’t answer the phone. “I tried to phone you, but no luck,” he says. “What’s luck got to do with it?” I say.

When I started writing the book, this one, I wanted to write about my online men. I thought I’d better screw the subject before the groupies line up. So I climbed on top and gave it my all, grinding, flinging my head back, my tits waving in the fuck. And while I’m naked and my words are spreading ‘em for a drummer, professor, and two ex-cons, it’s no big deal to add one more to the line-up.

“You sent me Ebonics! How long have you known me and you insult me this way?”
“I said how long have you known me?”
“What year is it?”
“2004.”
“So we met in 96—”
“Eight years. You’ve known me for eight years. And in all that time did I ever say anything about stereotyping, for example?”
“About Talon, yes. You didn’t want him to dance or listen to certain music. And you didn’t encourage him in sports. You wanted him to know about Matthew Gaines, Marcus Garvey, George Washington Carver, Lewis Latimer, Dr. Daniel—I forget that one, the heart surgery doctor, I know it, wait—”
“Williams. Dr. Daniel Hale Williams,” he says, sighing the way people do when the morning streetcar is running late, it’s winter and a work day.
“I’m sorry, I didn’t mean to write in a demeaning way. Jews have words, slang that even you use.
“It’s not the same and you know it.”

This is what I sent him:

Coming
Do it baby he says, do it shugga do it baby sweet theng, do it for me now. oh, I say, oh oh baby―wearing my Australian boots, tight jeans no panties cropped black t-shirt while he stands in the doorway, his arms crossed, watching me lifting my ass, sliding jeans down, black shirt up not off, tits, lower legs bound by jeans, index and first finger poised, I place my heart in my clit for him—mouth open, arching back and neck, fingers back and forth, rounding over slow, sl o w, ss low, low over and over—is this what you want? yes, he answers, saying only yes and baby and shugga honey. you are honey and sweet with double s sounds and a long e; the sound of his voice so low it winds its way into my cunt, and somewhere deep in my heartcunt a tingling making me cry from my throat oh honey, come rising from cunt to belly, up throat into mouth and out to him, oo ahh oo shi-it, whoo oh shit baby babeee my legs wide, tight, tensing, flexed, breath a jagged mountain climb. baby honey love, again and again, wild for him the shape of my come his prick in me. and all he has to say is baby, shugga, sweet thang and I will lie at his feet all for coming and all for passion.”

“You know, if that’s how you write don’t send me anything. I expected more of you.”
“But Garth.”
“That’s it, Janice. You’ve disappointed me, but why should I expect you to different from the others.”
“Because I am,” I say and he hangs up.

Garth, Good-bye

It’s hard to say goodbye when my cunt lurches like one of those old standard shift and clutch contrivances and my heart just bottoms out. Tears heavy on my eyelids, folding into the corners of my mouth, I am remembering how we were in those first months, but life was like that and now this and none of that. “It’s just hard,” I type in font size four and a whimper. It is Christmas Day, I’m Jewish and still tangled in love.

Diary Excerpt, New Years 2005
Just before New Years, missing my large man, that four-hundred and twenty-some odd pounds one, the one with large hands and cock like a redwood. But tonight I’m going to dance, shine and twirl, swing and shimmy, my long hair tumbling down.

The bouncer at the door of the El Mo has a shaved head and if you look closely you can see stubble on the sides and in the back. He is tall and has narrow shoulders. They don’t make them like they used to from what I can see.
“ID please,” he says.
“Very sweet of you,” I say. “Do you know you made not only my day but my entire year and possibly a decade.” I piss words. It’s my way of pleasing myself and flirting.
“Your I.D. ma’am.”
Ma’am! I rummage inside my purse: receipts, scraps of writing, a leather change purse from my grandmother, hankerchief that belonged to my Aunt Bertha.
“Thank you.” His face is blank. He has already moved on.
I don’t know which door to enter.

The Om party is upstairs. A side door leads to the main floor stage. The stairway is open and unguarded. On the landing two smiling girls stand behind a laminated table loaded with pamphlets, and at the top landing, an old wooden table, and another girl, also smiling. I wish I had worn long earrings. I am disposed to wear jeans, blundstones or the equivalent, and a black V neck sleeveless jersey—my intention is to parade my pared down builder’s arms, delts, and a bit of tits. I wear eyeliner and mascara and glossy natural tinted lipstick. My dark brown hair hangs loosely to the middle of my back. I wash my hair at night and go to sleep without drying it so that even when I’m afraid it might look wild. Some have naturally wild hair that lasts and lasts. Mine is short-lived.

Kids are dancing, waving their arms up high, and wiggling their hips. I want to go home. Lisa arrives with her photographer boyfriend who takes pictures of us. I hug and kiss her various friends on both cheeks. I laugh. I dance with Lisa and ten minutes before mid-night, I’m outside breathing in the cold and watching it waltz in the winter air when I exhale.

Of course, I’m sad for myself. Garth doesn’t believe in New Years and his ponderous frame lacks animation. I come home, drink two glasses of red wine which I always find more potent than cheap white, lie on the floor to the right side of my bed, masturbate while I count how many seconds it takes to come once, twice, three times to make up for inferior quality, take an adavan to flatline my mind, and climb into bed. I’m trying to lead a mindful life, grateful for roof and bed and food, but I still hear banging and see the sheriff’s steel-toed shoe wedged in the door. I hate answering the phone. I’m afraid and that’s the fucking truth.


Which Is the Way to The Wild Side?

It’s a quiet day. No men around. No phone calls, emails, no one checking me out on the net. I am fucking pissed off. Lenny, the communications professor says I am a dangerous woman: “I’m not ready for the raw intensity and honesty you offer, can’t help but offer,” he writes one stark winter morning. He’s afraid he’d be vacuumed into my cunt. I’d cross my powerful legs and hold him in solitary. The Atlanta drummer calls once every two weeks. Worries plague me. Fears about cash. About death. Life and how to manage it. I long to lie with a man who can hug my soul while filling my cunt. I miss anyone—Mark, Lenny who understands my rampaging heart, even Garth with his unflinching mind. Local Lennox made love like muzak. I send my online men mixes of mind and cunt to sustain them. I have an image of Lilliputian men in plaid slacks, caught in a word net.

I meet a fat man at Second Cup. “FunMic,” author and teacher of politics. I had agreed to meet him outside the York Theatre on Eglinton Avenue. An obese casually well-dressed man limps across the street in my direction. His ankles are swollen and his knees ache, he says, his body cramping after his five-hour drive from Windsor.

At Second Cup, FunMic talks of politics in South Africa and the cable television show he hosts, periodically lowering his rimless glasses to make eye contact, touching my hand, and stroking my forearm. The contrast of our skin tones pleases me. He caresses my upper arm. “Hey you nice man, easy easy,” I say. He talks about the various women he’s met. Nice women. Even without romance, he sends truckloads of roses on their birthdays, he’s just that type of man, a romantic he doesn’t mind admitting, yes, that rare breed of man.

“But you do it for me, I hope you don’t mind me saying. I’m attracted to you, I find you alluring.”
I don’t mind at all, I tell him, but I have to leave, a daughter waiting at home.
“Show me what you’ve got baby, show me what you’ve got. Let me taste some honey, baby,” he says as I open the door of my used brown car with all its dents and scrapes. I can’t see over the hood and I’m always banging into posts and concrete blocks. I need to be high up to have a proper sense of perspective. Dead, perhaps. And please don’t hear and grant this wish born from wanting. All locked and wanting inside. I wonder whether men can recognize when a wild woman is crouched and ready to pounce? I was never good at plyometrics so I go through life on all fours, crazed with readiness and heat streaming from my swollen eyes. Maybe I’ll go hear music. Maybe a movie. Smoke up. Paint. Masturbate on the bathroom floor. Fuck. Which is the way to the wild side?

I've Grown Accustomed to Your Cock (erotic memoir, edit 1)

The truth is Garth’s cock is in a class of its own and it moves me as none other. Mark’s balls have no separation between them and are positioned in a taut horizontal line. Even when I am away from Garth, if I sit still, I can visualize his cock in 3D, his spreading balls and cock resting on its bed of orange. But he has cast me out too many times and I need a man’s mouth and the softness of his lips, tonguing my way down his chest, past his abdomen and directly to his cock. Still and always, there is no cock in the world, I swear, like Garth’s. He is not a man to dance with or one who fills up spaces with fancy words. After all these years, he refuses to, cannot, understand me. He’s a hardcore man through and through, yet I have grown, like the song, accustomed to his cock.

I have never escaped. Not even in the giddiest most reckless fuck. Close—nabbed the cell door keys and like a shadow made it to the prison walls, the metal exit door glowing like heaven’s gate. I have yearned so hard I almost levitated. But with music, I slip inside swirling notes and I’m free. Music is my past, present, and future, my bird on the wire. Every Thursday I drop by Shopper’s Drug Mart or Blockbuster for my free copy of NOW magazine.

Morty Koppelt is a skinny little guy who weighs one hundred and thirty-five pounds, one hundred forty, tops. He’s the chief lawyer for the Ministry of Transportation and Frida Koppelt’s husband. When I started training him, I positioned Frida's kitchen chair on a step-up platform, secured a ten-pound Walmart dumbbell to his ankles with his leather work belt, and instructed him to raise and lower his legs to the count of three. We used a can of kosher peas for side laterals. Koppelt’s an opera and chamber music fanatic who scours Whole Note Magazine the way I check out NOW weekly. In between sets, he rests sixty-seconds between each set—he’s a meticulous stretcher even though his house is the messiest I have ever seen with last week’s dishes piled up, pits of laundry like a road under construction, the day’s shoes scattered, left foot in the basement, right foot at the top of the stairs.
“Morty,” I say as his body groans into a low back stretch, “I’d like to start a non-profit.”
“Oh yes?” he says his hands circling around the Smith machine post as he pulls back.
“Sink into the stretch,” I say.
“Like this?” he says and I say “Yes.”
I tell him about The Lapitsky Scholarship Fund. “I want to give back,” I say. “The arts kept me going. You know my story. I don’t have my grandfather’s cash, but I have his heart. You could say, I’m my grandfather’s daughter.”
He tells me to think about my mandate.

I exit the streetcar, check street signs, the flow of traffic, and skyline as my north-south guides and figure I'm on the north-east corner of Queen and Spadina. I've been to Healey’s before, so I know I have to cross the street two times now, west and then south. Lisa says I’m a sure target because I have this dazed look, but I think I go about my life like a tourist. It’s true I have no sense of direction, I’m constantly losing and finding my way and I like that since it gives me new eyes.

In line for James Cotton tickets—one-half hour in a moderate-compared-to-Montreal Toronto winter with my muscles and men’s leather jacket keeping me warm. When Caroline shivers from winter’s sharp edge, bundling herself in her faux-fur trimmed snood and purple winter coat and I talk obtusely about over-heating, she says “that’s because you’re like a dog, only you have muscles.” Her associations make me smile inside and out. “Excuse me, excuse me,” I say, winding my way from the room’s entrance to the line directly beside the left side of the stage. To secure a front spot in a jam-packed house, you have to act like you’ve already got one, someone’s there waiting for you, or you’re on a bee-line to the washroom. Main thing is you walk with purpose, apologizing all the way with no remorse on the inside and hey, isn’t that how I go through life? Though maybe I don’t really apologize, which is one of Garth’s complaints about me—that I don’t apologize or apologize too late or apologize with excuses. I tuck my jacket into my black leather gym bag. A drunk reaches out to grab the lead guitarist’s instrument and I grab the tattooed man’s bony wrist. “I got no feeling left in my arm,” the drunk whines. The bass player raises his eyebrows at the drummer. It’s a builder’s moment.

Intermission—“Isn’t the bass player cute?” says a frizzy-haired chick to no one in particular. “I’m going to have him.” She sways forward. Nearing the bass player, her stride blossoms into a ripe wiggle. I move to the bar. The gym has made me comfortable in my skin. Generally I order one white wine, two max. The whites taste cheap, so I always keep gum in my jean’s pocket. I flex my pecs (for the sake of pecs and not tits) and flare my delts. Subtle flexing is an art. The drummer, wearing a shiny gold chain and cross, orders lemonade.
“Thanks for the wrist thing. Man, you are strong!”
“It was cool, wasn’t it? It was like the Olympics, been training all my bodybuilding life for this moment. My arm was iron, man, one lead pipe. See I’m a certified hypnotist. So you got a witch and builder mix.”
The drummer stares. “My brother, Charles, he’s the bass player, he loved it. I know he wants to thank you. We got this thing, Charles and I, like if he sees you first—can’t have no fighting, two brothers on the road.”
“Seems like you got it all worked out. Still, I mean, where were the bouncers? My ex used to be a bouncer and he and his buddies would’ve been there in a flash. Probably broken the drunk’s wrist, not that he was brutal, he wasn’t wild, you know. He was cold, like a bouncer. But man, that was fun!”

Charles is a short guy with a navy blue cotton kerchief, shoulder length dreads, decent shoulders, also a minor paunch, but builders don’t give a fuck about fat in the off season. He says he’s getting ready for a photo shoot for a new album, blues with a jazz element, can we talk, and do I have a car, because if he could get a lift to his hotel, he’s sharing a room with his brother—we talk awhile and maybe go upstairs to meet his brother. So here I am taking a musician to his hotel and no way am I going to fuck this man.
“You should have taken the broad with the curly hair, man, she wanted you.”
“But I wanted you,” he says and I shake my head, laughing and almost sideswiping the mirror on a parked car.
“You alright?” he says.
“Yeah, I’m fine,” I say. “I’m just not the world’s best driver— look at you, you’re in a car with a lousy driver and a female who’s not going to put out. You should have taken up with that groupie is all I have to say.”
“We’ll see,” he says.
“We will not,” I say and laugh again.

On Lombard Avenie, I park across the street from Quality Inn which is diagonally across from Gilda’s Club. Cancer across the street in a renovated fire hall and I’m sashaying around, hoarding every ounce of available nightlife. I step out of the driver’s side to wish him well.
“Have one?” he says, offering me a green mint.
“Sure.”
“Kiss me,” he says, “c’mon, just a simple kiss, just one.”
There are those chicks who’d fly across hot coals for a musician—skittering across, purse, waving tits, costume jewelry and all. But I’m an impresario and my own groupie. I prefer—I don’t know what except I have no heroes and I like it that way.


Long Distance with MT

I’m knackered on weed and hooked on hardcore. Mark says it gives him a hard-on when he reads my stuff. He thinks I’m composing directly for him and I suppose I am. A dirty scribbler’s got to have a home slice. Soon as I’m home from training the suburban whores, I check my stash of emails and love up these keys. It’s my fix and that’s the fucking truth. It’s like wandering the desert, skin and organs parched, and sighting water shimmering ahead. When the lake is finally within range, I break into a run, flapping my arms like I’m about to take off. I dunk underwater and surface gulping, laughing and whooping. Hot and high writing sex, pissing out words day and night. And coming, well, coming’s a brilliant flash in the pan—it takes you out of this world, earth’s exit swings open, you’re floating and it’s grand just as you thought and never could have imagined, and just as you’re settling in, ready to take the tour, the door swings open again and a wind from out of nowhere pulls you back, back to your standard fare, thirsting and yearning.

I’m watching "Before Sunrise," heavy with words, D cup at least. The French have this saying— il y’a trop de personnes sur le balcon—there are too many people on the balcony, and I, I have too many words and too many online men. In this Sunrise movie, a woman, young, meets a guy on a train. They have a fling and promise to meet in the same place six months later. Instead years pass. The man writes about the young woman, their chance meeting, and how it might resume or end. It’s better to have a fast fade than a drawn-out routine. So I have my men. One arrives out of breath and eager. We’re online and we fuck. Maybe he’s good, maybe he’s not. It always ends. So I have a stash, weed and men, men and weed.

The Photo Shoot

“Hold your hair up, chin up and to the left, look that way, now this, now twist a little, arc, that’s it—and twist,” Alex says, clicking away.
“I love this,” I say.
“I can see how you must have looked when you were an actress. It’s like you’re right there. Yes, absolutely. Doesn’t she, hon?” he turns to Lisa.
“Yeah, she really does,” Lisa says. “And she’s still beautiful.”
“You two are the best,” I say.
The base of the white studio wall curves into the wood floor. A black velvet cloth covers the Polaroid camera propped on a silver industrial tripod. I’ve packed a crimson silk kimono and black stockings. Lisa has wrapped my red silk kimono like a turban around my head and transforms my black stockings into elbow-length nylon sleeves. My muscles are for the most part not even in the pictures and I’m alright with that.

Around one in the morning, I drive Lisa home. It’s a freezing winter night and I don’t realize until I’m on the highway alone in my car that my cunt has actual weight to it. I’m an elitist when it comes to my cunt and I think there’s a uniqueness to the way I sense details and sequence. My cunt is a destination, what’s that expression? Something about Rome and all roads. Or—at the end of a narrow hallway, a room with pressure from the inside spreading out, and radiating from the hand-hewn wood door warped from the force of the weight is a glow, not white, but yellow, cadmium yellow light like the background in a watercolor of mine, “My Heart is So Unruly Truly Part 1,” like that one or maybe “My Unruly Heart Part 2, AKA Slipping into the Sweet Wilds.”

I have a new bit for the drummer man. I’m going to tell him, “What a fucking turn-on! Wow—it makes me want you— shit, you’re fine! Oh baby, sitting here at this early morning time, typing furiously and wishing to come for you, all quiet except for this shivering because there you are with your cock leading the way. And when you lean down to kiss me, I turn my neck causing you to kiss the side of, nape, and hollow beneath my throat, and I sigh ‘baby, baby, baby, you sure do that thang to me.”

I play them all and they just fall right into place. This one, this drummer one and the others, get hard and heated with these words, words, words. “So I ask you please fuck me and you ram in and in and in. Out my window I see my come all spruced up and shining, hovering at the edges of this early morning moon. I straighten my legs, which honey is what I do, tighten and tense, you hold my hair the way I like and your finger is up my asshole, I’m fucking your finger and your cock and I can feel the come inching up the insides of my thighs, swinging into my cunt, spreading and branching out while the moon’s hanging full and bright. Sex is such a wonder, isn’t it? Oh baby, I am hot for you!” Babies, fucking piss asses. Words turn them on, delivering how-to's so when they come into town and want some action, I don’t have to say anything and they know what to do.

Hooked (edit 1)

How to Keep a Man

In her lush garden, which is heaven on earth, Sabina reclines on her lime green chaise lounge. This garden is part jungle, English mansion enclave, pristine sanctuary, and natural yoga den. I bring all my men to Sabina. Straight off she worried about Garth. I should have listened. Maybe not, because I’m free now, still afraid of phones ringing and knocking at doors, but free of Abie and that’s all I have to say about that.

Beside Sabina, this new man perches on one leg, taking deep breaths and spewing them out, five times maybe more, pauses, then cries out in a shrill falsetto. William S. Grieves has been taken by the spirit. His hand hovering one quarter of an inch from skin contact scans Sabina’s wonderful legs. Her left knee has been making its presence known—the kneecap hurt, she cannot do squats with her Norwegian trainer. Sabina has marvelous legs with diamond-shaped calves, moderate muscle in her upper body, arms specially, cheek bones that demand attention, and a long ass.

William is intent on calling me his own, and even though he sends me packages of the finest music, bringing joy into my life, no fucking way will his dick enter my body or wind its way into my spirit. Any man wearing his pants so damn high that the sun glints off his belly might have a prick lying somewhere, perhaps on a mantle in an old musty rooming house—might—but that prissy prick will never find its way home to my door. Even a woman running overtime and late for her next fuck, has certain standards.

I know how to hold a man. When I phone Garth he answers in his reverse-exclamation voice. So I say “I miss your cock,” which settles him right down. We set a suck-off time. I’m always late. Garth doesn’t like to fuck right away; first he likes to talk, to get acquainted. He’s old-fashioned that way.
“What’s it called in church when someone starts shaking and screaming out, you know, and the spirit moves them?” I say. I plan to write about the new man.
“I don’t know.”
“But you should, your mother being Pentecostal and all. There’s a word or a phrase. Like what’s the verb—is it moved? Like when the spirit possesses someone? I’ve seen it on the evangelist shows, the ones you told me to watch so I could get my speaking voice right. Remember when I did all that NLP motivational shit with the B’nai Brith broads?”
“Why you asking?”
“Because,” I say, tracing his eyebrows with my index finger, “I was watching this show about healing, you know, and the effect of belief, religious belief, how it really can heal. Mind over body kind of thing and I thought it would cool to write about. But there’s a word I’m missing.” And I slide down between his legs to his famous balls. “So?”
“Maybe taken,” he says, his voice remaining constant. I can flick my tongue over his balls, taking one and then the other into my mouth, his voice and breathing never waver. He has great presence of mind. It’s his background of abuse, I guess, and having to be on guard all the time.
“So,” I lift my head, “taken by the spirit, then? That’s the expression?”
“Yes, yes, that’s the expression.”
“Mmm,” I say, twirling my tongue toward his cock. It’s an art, maintaining contact from one move to another—balls in the mouth, then tongue snaking around cock, cock in mouth, only the tip, more tongue swirling, more cock, until Garth touches the back of my throat and my soul opens.

I just don’t like the pressure, driving over, leaving Caroline, and worrying all the while. Sometimes I think—with Garth, I’m like Patty Hearst, when she was kidnapped by the Symbionese Liberation Army, joined them and became Tania. Like Che Guevera’s comrade. "Tell everybody that I'm smiling, that I feel free and strong and I send my greetings and love to all the sisters and brothers out there," she said after she was sentenced for an SLA bank robbery. I don’t know why I think this way. I guess I’ll have to figure it out.

Hooked

I am hooked on my online men. They’re my morphine and D-Bol. They punctuate my life. When I’m high on a new man, I phone Sabina and leave her messages although she has no need to live vicariously. Men still flock to her. She doesn’t even throw out bread crumbs, the way I do with my profile and exuberant follow-ups. She just stands there and they fly in, detouring from their migrations.

Sabina has a local one for me, James who is in love with her. Sabina is a goddess and remains so at forty-five. James messages her back when she’s tired. She takes off her top and lies on her stomach, her small tits sticking to the burgundy leather sofa. Last time he massaged her back, she felt a bug crawl in her ear and swatted, causing James to yelp; he was standing beside her in his bare skin, his skinny prick pointing to the west. When I realized that I didn’t intrigue James, I was pissed off. It’s not that I wanted such a skinny flat-minded man who insists kinky and passion can be played as one word—kinkypassion—“In whose dictionary?” I ask him. Lisa and I have taken up Scrabble. She wins every time, knowing her way around that board the way I know a man’s body. “Props don’t thrill me,” I tell James. “And anyhow, if I’m desiring a prop, I just grab a man. You’re a prop, honey.” He laughs. “Really,” I say. He tells me I’m the embodiment of kink and invites me to a College Street peeper’s club.

James checks out two women kissing, each of their men seated on art deco leather love seat at opposite ends of their booth. “Do you mind if we come in and watch for awhile?” he says. James’s British accent and exotic dark skin serve him well in this Somerset kind of club. He takes his cock out of his pants and motions to me like a cop directing traffic. Patrons enter and exit. “She’s still at it! Wow, she’s really into it, isn’t she?” I shift my weight from my right to left knee, my throat feels raw, I have to pee. Meanwhile James is chatting away in his brisk English accent, adjusting my head, taking his time.

Sabina tells me James has a porno site with a 1-800 number and hook-up to Pay Pal. “Holy shit, our James—a fucking pimp!” I say, hooting and snorting.” “Don’t put this in your book,” she says. I tell her “of course not” and play her for details.
“He has about a dozen strong women,” she says.
“You mean builders?”
“He calls them strong women, but they’re bodybuilders, alright.”
“Holy shit,” I say. “You know I had this coach in my early days, I think I was forty-three. Yeah. I was forty-three and you and I had just met at Kelly’s Backyard Gym and this builder, Rita, was setting up my programs. I remember I was working out, we were in the Austin Terrace house, and this builder comes in and squats three plates a side, rock bottom, three sets of ten, so I go up and ask her if she coaches. Anyhow, Rita’s doing this threesome thing, with a female builder named Val and some guy, and on the side—I can’t say for sure, but John, you remember John my second coach, the one I put a down-payment on a motor cycle for? So what I heard was she was posing and doing tricks for guys with a thing for builders. You know, like Igbal had for me. Fuck! The shmuck’s a pimp!”And then I wonder whether he’s asked me to this peeper’s dive with his porno site in mind.

I know James and Sabina have fucked a few times—he’s wild about her and she adores sex. She says he’s quite skilled at cunnilingus and tones down his kinky side when he’s with her. I don’t think he’s so hot. I drive him to Cherry Beach where he rams his cock down my throat until I gag or up my cunt, my legs thrown over his shoulders, which causes my periformis to pull and tighten, that old injury from my deadlifting workout with Garth.

Lenny and a Few Others
Before Will and Lenny and others with their invigorating letters, there were two white Jewish men who brought sustaining warmth and friendship into my life. Late at night, I would spread out in my bed, wrapped in my words and warmed by theirs, rediscovering words could be round, not flat and brittle like Garth’s. I twirled on the tips of my words without fear of falling off, spun round and round sprouting random phrases as the sky changed colors, and they loved it—all these lines bursting out without any target in mind. And I thought if I were to look inside, my spleen, liver, all those organs would have disappeared. If I were to grab a corner of my skin and steal a glance underneath, I’d see stars instead, and I laughed. This is what I learned from a white Jewish match.com man, a gentle magic man, teacher of stuntmen and lover of life.

There were good men-souls: Bruce, a seventy-two-old professor of ancient English literature with a bird feeder on his balcony, a birder from Boston, who whispered “I wanted to be the first to kiss your eyes” in his morning calls as I struggled with my flaying Caroline. He wanted to drive to Toronto; I told him it was too soon. But the truth was he looked like Einstein and I couldn’t imagine him kissing my eyes in the morning.

Onegoodbro

“Didn’t you know this is a black dating site? Doesn’t the name say something to you?”
“Why do you whites think you can get in anywhere you want? How can you be so fucking selfish? And anyways, why do you want a black man? Relationships have enough challenges without adding mixed race."
“Why you after black cock?
“Get the fuck off territory that don’t belong to you.”
“Listen sweetie,” I wrote, “I live according to my beliefs. It’s one thing to talk about integration—it’s another thing to live it.”
“Damn straight. You got it now.” He said his black sisters and brothers were better off without guilty and jealous white people trying to sneak into the fringes of black culture.
“Look, I respect your devotion to your people and your sense of responsibility, but I’m sure as hell not moving,” I said. No one was going to bully me out of the neighborhood.

His Name Is Mark Towne

I saw his picture on “Black People Greet”— a man with earrings in each ear, beret, and James Baldwin eyes. He’d call, cruising down Highway 78, windows down, wind, music and his words whooshing into my ear.“Well, it’s been fine, really,” I’d say all foam and breathy, and he’d answer “I’ll squeeze you later” with a triple “e” in squeeze and upswing in later, and I’d laugh because I had no idea what to say to this smooth man. Instead, I left him a message of my coming― a score of escalating, sighing, swooning sounds with slices of dialog. “You are soo sexxxy,” he said, “that was so bee-u-teeful and sweeet of you. So so sexxxxy! My God! Babay! You are my JCT.”

But, even with my moaning into his cocked ear, when Mark arrives at Pearson National Airport on the coldest night of winter, I can’t recognize him. A man with a navy blue beret, two gold earrings, navy duffle coat, and tan leather bag slung over his shoulder strides by. Let this be the one. This one, this is the one I want. The man walks in a diagonal line toward a red exit sign beside which are two others, taxis and washrooms. I hide behind a post, watch the other arrivals, and unzip my ski jacket. Play it, honey, let a little tit show. The beret man reappears.
“JCT!” he says. “Are you my baby? You are so cute!”

Fucking shit. Cute is not a good thing. My ass, fucking shit, cute. But here he is, looking down on me, so I stand on my tiptoes and kiss him full on the lips, kissing and kissing him in front of Arrivals, and I’m nervous and shy and so fucking pleased. Shit shit shit I’m thinking all the while. Shit shit shit. There is stuff between Mark’s arriving time and the hotel room, paying the airport parking ticket, how to do that, do I have enough change and is my hand trembling? There are paint-free patches in front of my car and the license plate is held in place with rusty wires. I take the 427 south and then the 401 east into Toronto. “I’m always getting lost but my heart’s knows the way,” I say. “Sweet and hot, honey, sweet and hot.” He puts his left hand on my thigh. A Drake man, I decide. I can’t take him to a seventy-nine-dollars-a-night flophouse even with sax strains streaming from its lobby. There’s a reason sax and sex share all letters except the middle one, and there’s no mistaking what a woman grooving at a jazz club wants when she screams out, “Give me some sax, baby!” Mark is a Drake man. His face is leaner and more angular than in his photos—a different man than the one I had come with, saying, “Oh my god oh . . . baby, babay!”

Abie’s dating this psychiatrist he met on JDate where he posted a photo I took of him, standing on the rocks at Lajoie Falls. His hair is windswept and he’s grinning. Before he met the psychiatrist, he kept a running count of women responding to his profile. “Listen,” he’d say, “I have forty-nine women waiting for me and I can’t answer them. I know you have a credit card.” Three times I paid for his JDate membership. I didn’t want to alienate him. He’d call a week in advance. They were doing due diligence. A deal was closing. Funds were in escrow and release scheduled. Then he’d ask for cash. “I won’t forget,” he’d say and I’d look over at Caroline talking to herself and no one in particular.

Abie has a theory about these meet-ups. You have to kiss right away. You search out a spot, lie down with your arms each other, close your eyes, and you share memories—when you first saw his picture, first emailed, first spoke. You share. Occasionally you open your eyes and steal a glimpse. And so you slide beyond that online space.

The long-haired concierge flips through a glossy pamphlet. “What do you think, sweetie?” I say, my hand in Mark’s pant’s pocket. He taps The Den with his middle and index finger —“glass everywhere, JCMT,” he says and there is: glass bathroom door, glass partition between toilet and showers cubicles. Bathrooms intimidate me. The room’s purpose is clear, I know, but I like to be genteel about it, delivering a soundless stream. In private I’m this noisy slogger and I like that. But posing on the Drake pedestal, I’d have to deliver a controlled flow while reining in my abdomen. It would look silly to dress up just to take a piss. My mother used to wear a hat and leather or linen gloves to match her shoes and purse when she went to a movie. And what if a fart steps up to the mic, deciding its time for a solo?

I pay with my Gold card although I can’t figure out why the hell they gave it to me anyway. I figured I’d somehow pulled a fast one. As soon as I received the card, I called Garth, bought a leather three-seater, matching love seat, and TV stand at The Brick, botoxed my entire forehead, removed sagging flesh beneath my eyes, and here I am, whipping it out for a drummer standing first beside me, then with a sidestep turning away while I fork over my five C’s at the Drake Hotel on Queen Street West.



Something Slightly Kinky Perhaps

Mark brightens my life. Even with thousands of miles between us, I can feel his breath; he uses his voice like a cock when I need release as he calls it. He has these gifts.
“It’s my baby! How ya doing shugga?”
“You sure know how to make a woman feel good.”
“I sure know a good woman.”
I close my bedroom door and lie down on the standard grey wall to wall. The carpet like a lover brushes against the skin on the small of my back. There is a softening of my hips and my ass rubs into the roughness of the industrial carpet. The space at the back of my neck tingles. Sex and drugs have a way of setting a scene.
“Sweetie man, you leave a female who comes to words unable to locate any of her own.”
“Let me help you baby. Tell me what you want.”
“You,” I whisper.
“I didn’t hear you. You want what?”
“You. I want you, in me. I want you to fuck me. Please fuck me baby.” Men don’t give a damn whether they’re fucking a poet or a Forum freak.
“I am fucking you, baby. I am fucking the hell out of you,” his voice low and gravelly.
“Well sweetie, if that’s hell, heaven must be one eternal come.”
I love coming over the phone for him, hearing his jagged breath over all those miles, his steamy words sliding in space.

Once he wrote “lovie” and when I read that, something in me shifted over to his side and sighed with soft delight. I call him from my bedroom, lying down on my bed—I have trouble with smooth talk while standing. In our first days, I spoke to him while I stood in my kitchen, then walking around the condo, describing the images and colors of seventy-six of my paintings. I sashayed around in bikini underwear, a muscle shirt, and a pair of toeless high heels my mother had passed down to me. All other times I lie on this light gray carpet behind my bedroom door or on the tiled bathroom floor, and sometimes I single out the floor on the right side of my bed or the left. I can’t do it standing up. I mean I can lean against the bathroom counter and he can ram in from behind or I can hold my upper torso against his with my legs around his waist, his cock in its rightful place and my arms around his neck, but for coming, the build up and flow, I need a floor. Beds are fine, but a floor, a floor is hard and soft and inviting all at once.

There are black and white tiles on my bathroom floor. I am wearing a snug black t-shirt with “Adrenalin” written on the front and “PUMP,” part of a dial-up gym number on the back. My hair is uncombed. I unbuckle my leather and metal belt, pull my jeans down to my shins, keeping my socks and Blundstones on, and spread out a worn blue-and-white synthetic bathrobe. I weigh possibilities—if I lie constrained, can I spread my legs wide enough? Phone coming involves posture and timing: to lie down, to place the receiver on breast or belly, to spread legs and rub a clit—up and down or back and forth depending—while another finger pushes upwards inside. It’s an art. I rub, tensing my legs until I feel that low lurching as my come slides into place. A clock hand ticks out the seconds: one—fingers moving over and across; two—the sun starts to sink; three— sinking and shining still brightly; four—sinking more, quite brilliant and changing color, yellow to red; five— head arching back, a line forming from behind the eyes to the mouth, finding its path to the back of a throat, tracing across breast to breast with clear cunt intention. “Oh baby,” I breathe. Using a cheap rate, I dial the number 10159451, his area code and number that my fingers know so well, and press talk. I’m adept at timing. I hear his voice and my cunt swoons. “I wanted to call you,” I say all breathy like brewed foam, “I wanted to talk to you about sucking you off when you’re involved in commerce and I wanted to make you hard while you talked numbers or whatever it is that you do, when all that I want, baby, is you here with me and we’re fucking, honey, and shit, I am loving it.” And sure enough, I feel a snare drum brush on my thighs and the sun’s nighttime glow at the back of my cunt, and wanting to please this man who calls me “baby of mine, lovie, shugga,” signing “one love, yours to hold, one to one and one in one,” it happens. Five times, baby, five fucking sweet times. It’s simple, wanting to please a man—I start to come, smiling all the while knowing I’m almost home, with a pressing down, just a gentle kind of pressing down, one of those simmering volcanoes with the top opening and closing, ledges overflowing—something warm between my legs bringing me home again and again, all warm and wet from the pressing down. I test the wetness with my fingers and I laugh.
“Wet honey, really fucking wet!” Thick opaque wet, that smooth just oozing wet from which memories are made. From pissing. From fucking pissing.

I write, then release these words like homing pigeons to Mark, also Lenny, and my New York ex-con, Robbie. I wear my cunt on my sleeve, I tell them—listen to music, touch words, journey through life all with my cunt. And that’s poetry.